Book Review: Shakespeare’s Rebel by C.C. Humphreys

I wasn’t at all sure I was going to like this book though I immediately loved the setting, the language and way the two worked together to draw the reader into the intoxicating, dirty, dashing and dangerous world of late Elizabethan England. Part of the reason for my uncertainty was the lead character, John Lawley. In some ways meant to encapsulate the “renaissance man”, albeit, not a noble or an aristocratic one, Lawley is a drunkard who, above all, periodically indulges in month-long benders and consequently lets down anyone17315211 and everyone in his life. He is also an expert swordsman and brave soldier who in the past accompanied Robert Devereux, the Earl Of Essex and the Queen’s young favourite, to Spain and was by his side during other skirmishes, thus earning praise and a reputation as loyal and courageous.

Despite all this, there is something not quite loveable about Lawley. He is neither rake nor rogue, ethical or ideologically driven. In fact, for a man who has done so much and has so many strings to his bow, as well as important and influential people on his radar, he is remarkably bland and, though you don’t dislike him, I found I couldn’t really like him either and that was disappointing as I desperately wanted to.

Lawley stumbles from one bad choice to another. Wanting nothing more than to work with his beloved Will Shakespeare and the players at the globe, prevent the love of his life and mother of his son from making a disastrous marriage, Lawley tries to pick up the pieces of his life and start again. His first effort is to get sober. However, with war in Ireland looming, and the Queen and her sidekick, Robert Cecil determined to use his connections to the Earl of Essex (Devereux) for their own ends, Lawley is just a pawn in a game he has no choice but to play – and it seems lose.

As events spiral out of control, it looks as though Lawley is destined to lose everything he cares about – his love, son, and reputation – even Shakespeare, his most loyal friend, is growing tired of his inconstancy, of his disappearances without explanation or apparent motive (the reader can get annoyed with these too). But we soon learn not to underestimate this man, even when in his cups, as Lawley has resources and skills that no-one (save his closest friend) know about and if he can just suppress his desire for whiskey long enough, evade those who seek him, and rescue those who need him, he might even get the chance to prove himself and, as the blurb on the book promises, save England as well.

This is a good book that has some really exciting parts and some, for me, frankly dull ones as well. C.C. Humphreys manages to capture the period so well. His use of language, the rich dialogue and manner of the characters simply flows and captivates. The streets of London, of Southbank, the wilds of Ireland and the darkened offices of Cecil and other grisly locations are all beautifully realised. The life of the actors and theatre associates as well as the inner workings of the theatre are also fabulously woven (not surprising when you read about the author’s background which also explain his wonderful use of language and why sword fights dominate the book). What dragged a bit for me were the sword fighting scenes which I’ve no doubt someone who understands fencing would greatly appreciate, but for an ingénue, they went on far too long and were hard to imagine. They interrupted the flow of the narrative. Likewise, the descriptions of Lawley on benders or the constant refrain of his desire for alcohol were overdone to my taste (pardon the pun). Likewise, the love story resolved itself far too quickly in relation to the tensions that were set up, but I am being very picky.

Overall, I enjoyed this action-driven book and really appreciated the way a period I am growing to love very much was brought to life.

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Book Review: The Queen’s Agent by John Cooper

This marvellous book, The Queen’s Agent, by John Cooper, while ostensibly a biography of one of the hardest working men in Elizabethan government, Sir Francis Walsingham, is also a tale about espionage and counter-espionage, war, religious conflict, suspicion, betrayal, stupidity and cleverness, during the reign of Elizabeth the First.

Coming to the throne amidst religious, international and other turmoil, Elizabeth, as a single woman, was perceived by many as an easy target for unscrupulous deals – at their peril, as it happened. But while Elizabeth presented a relatively calm face to various threats – real and imagined – as well as marriage proposals and grumblings from the Commons and the Privy Council, working furiously behind the scenes to ensure stability and the removal of any danger, was Walsingham, Lord Burghley and a host of secret agents. These were recruited and posted across England and Europe – most of whom Walsingham personally chose for the skills and connections they possessed and which he could use for the benefit of queen and country.

Cooper’s biography allows access to a man who is sometimes, in a dash of over enthusiasm as it turns out, credited as being the father of MI5 and MI6. Reading the book, however, doesn’t make it seem the exaggeration Cooper professes it to be, as Walsingham, with varying degrees of success, ran agents, double-agents, invented and broke ciphers, used invisible inkThe Queen's Agent: Francis Walsingham at the Court of Elizabeth I, colluded with adversaries, and was not above converting enemy spies – either through gentle but deadly coercion and bribes or torture.

A staunch Protestant, Walsingham was able to reconcile the brutality he sometimes resorted to with his beliefs as he saw Catholicism as a stain on the country and, indeed, the world, which must be wiped out at any cost.

Playing various roles throughout his career, we learn that while a young man he escaped England during Mary’s reign and resided briefly in Padua and then in Basel, both times being exposed and responding to the kind of Protestantism he later endorsed. A diplomat, he was multi-lingual, clever, extraordinarily hard-working and, as is often the way with people who are workaholics, prone to illness. But it’s as Elizabeth’s Secretary of State and “spymaster” that he’s probably best remembered.

That’s partly because there isn’t a great deal known about his personal life as papers that might have given us insight were destroyed and it’s to Cooper’s credit that in the telling of Walsingham’s career and professional relationships, we are given sense of the man. Upright, uptight and not always faultless, he was a conspiracy theorist par excellence – I couldn’t help but think that he and Fox Mulder or Carrie from Homeland would have got along famously J. Connected by family to other well-known names and personalities of the period, his one daughter, Frances, married first Philip Sidney and later, the charming but doomed Earl of Essex. He lived long enough to see that union made, but not, fortunately, the end it met.

Involved in many an effort to find a suitable husband for his liege, Walsingham was also behind efforts to dissuade her from less than popular matches – such as with the Duke of Anjou. What I didn’t know about was Walsingham’s keen involvement in England’s explorations of the New World, his interest in expanding west and establishing colonies there. An entire chapter is dedicated to the often futile attempts to establish colonies on what would become American soil and while Walsingham doesn’t feature strongly here, his mark is evident.

Working side by side with Lord Burghley (William Cecil), with whom he often disagreed with, Walsingham always tried to put his monarch and country first. Responsible for uncovering many treasonous plots against Elizabeth, including Mary, Queen of Scott’s collusion in the most well-known of all, the Babington plot, he fell in and out of favour with the Queen. Unlike his peer, Burghley, Walsingham did not garner riches for his diligence and determination to root out all popery and assassination attempts; to protect Britannia. On the contrary, when he died, he had little materially to leave his second and beloved wife, Ursula, as not only did he take on the debt of his dead son-in-law, Philip Sidney, but also he often used his own monies to ensure the flow of information and thus the knowledge network he built was maintained.

Preferring to dress in black, dour of face and loyal in faith, and to her majesty, though he often bemoaned her sex and the foibles and idiosyncratic  behaviours he felt came with it, Walsingham cuts a mysterious figure.

Cooper, with all the revelations and wonderful information he provides, still maintains this sense of secrecy, adding a particular frisson to the book. I loved this about it – quotes from Walsingham’s letters and first hand reports about the Secretary of State conceal as much as they reveal and though Cooper offers analyses of the psychology of the man, he also allows our imaginations and interpretations room to manoeuvre.

Wonderfully written, Cooper conveys the period and the threats that were faced, all the while balancing them against the benefit of hindsight and another version of historical reality. Impeccably researched and eruditely presented, this book is a must for history buffs and those who love to know more about the machinations behind the throne of one of the most colourful monarchs in English history.

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