Book Review: The Tainted Coin

The last book available at present in the Hugh de Singleton series, The Tainted Coin, ups the ante from previous books in terms of plot and pace. A man is found brutally beaten and dying on the steps of St Andrew’s Chapel. His last words, uttered to Hugh, revolve around a coin, which is later found in his mouth. A Roman coin of some value, it prompts Hugh to search for its origins and to see if he can discover who killed this itinerant hawker.

The Tainted Coin (Hugh de Singleton, Surgeon Chronicles #5)

Others, however, are determined to prevent Hugh and so once again, the surgeon/bailiff finds himself in danger. Assisted by the burly groom, Arthur, Hugh uncovers a kidnapped woman, a wi

ly and unscrupulous knight and the involvement of his old enemy, Sir Simon Trillowe. But when the moral Hugh performs a risky rescue and takes into custody (for his own safety)one of the knight’s cronies, he finds himself at terrible odds with his master, Lord Talbot.

Threatening to quit if Lord Talbot forces him to hand over the man he’s rescued, Hugh finds himself in a moral quandary and under threat of losing the livelihood and place he’s grown to love. But as the danger grows, Hugh is forced to confront new and old enemies and even his employer and the outcome is as unpredictable as his baby daughter, little Bessie.

Once more, setting and period are beautifully captured and the characters are brought to life with an economy of prose and purpose. In some ways, the story is fairly predictable, but I didn’t find this a flaw. Rather, I enjoyed learning how events unfolded and the motives of those involved. If anything, being a couple of steps ahead of Hugh made you champion him and his investigation more.

This is another delightful installment in a series of which I have grown so fond. It can either be read as a stand alone or as the latest book, either way, there are rewards aplenty for newcomers to Hugh’s remarkable and dangerous life and those who have followed his rise and minor falls. For lovers of medieval whodunits, history and just damn fine reads.

I know there’s a new book in the wings, soon to be published and I cannot wait.

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Book Review: Henry IV by Ian Mortimer

When is a non-fiction book completely fabulous and unputdownable? Ironically, when it reads like a work of fiction. So it is with Ian Mortimer’s engaging and exciting biographical work on Henry Bolingbroke, The Fears of Henry IV: The Life of England’s Self-Made King who was a son of John of Gaunt, cousin to Richard II, and who was mostly known as a usurper and murderer. He’s also, it turns out, one of the most under-rated kings in British history.

Mortimer begins by informing the reader that good ol’ Will Shakespeare has a lot to answer for. The reason he states this is because contemporary impressions and understanding of Henry IV are mainly drawn from the bard’s portrait of the man across a few plays. As a consequence, the man and king we “know” is largely a distortion drawn not for historical purposes soFears of Henry IV: The Life of England's Self-made King much as political and dramatic ones. Stating his case, Mortimer sets about trying to set this inaccurate portrait straight.

While each of the chapters has as an epigraph a quote from Shakespeare, the content is rigorously researched using the few extant documents available from the period – many of which are financial records of Henry’s court, all of which leave a terrific and interesting trail (at one stage, Mortimer knows where Henry is because of the toilet paper – cloth –he’s ordered to be at his residence! He literally follows his leavings) for us to follow. He also draws upon French and other documents about the period, analysing their biases or possible inaccuracies in the process. Finally, he also uses contemporary historians, emphasising where they may have misread or misinterpreted a fact or hit the nail on the head. In other words, this is a thoroughly researched book that also contains fascinating appendices, an extensive bibliography and from which a few academic journal articles arose as well.

Commencing in Henry’s childhood and creating a context for his later antagonism with Richard, Mortimer describes the cousins’ early years and is at pains to point out their differences: Richard was quiet, aware of the throne he was to inherit, greatly coddled, not an intellectual and certainly not a fighter. By contrast, Henry, as the eldest son of John of Gaunt, was well educated, privileged, a fine warrior (he was one of the youngest nobles ever to enter a jousting ring – fourteen!), travelled a great deal and was a deeply pious man who believed in the Holy Trinity with a passion.

What may have started out as familiarity, bred through ties of kinship, later became contempt, possibly fuelled through frustration, jealousy, fear and loathing – on both parts. I’m simplifying something here that is complex and which Mortimer explains and explores with the finesse and erudition of a forensic psychologist, profiling with expertise these two very dissimilar men.

Mortimer is at pains to show how Richard’s fears, cruelty and insecurities bred a particular type of response, not simply among his courtiers, but from political allies and enemies, as well as the king himself, and how these also led to Henry becoming and acting a particular way. He doesn’t judge or condone, but he does unpack the diverse approaches of the two men, the way they interact with others and how they understand their roles as men, leaders, friends and sons.

It’s these differences, physical, emotional, spiritual and intellectual that set these men apart in every way and which lead to the huge schism that later divides England along the lines of Richard’s supporters and Henry’s.

Without going into too much detail for those who don’t know the story, Richard’s reign and Henry’s actions and reactions under it are explored – the battles, the pilgrimages, the attempt at crusades, the longing for public acknowledgement, the rewards, riches and punishments – all of which were delivered at the seeming changeable whim of an insecure and nasty king.

When, in 1399, Henry returns to England and takes the throne, it’s to a land confused about what’s happened, torn asunder by petty rivalries and jealousies and on the cusp of common – not rule – but legislature. It’s into this that Henry, a man never raised to be king, steps and takes the reigns of power. Wielding them as best he can it’s inevitable that he makes mistakes and earns the enmity of those who don’t seem to give him a chance. But, if there’s one thing Mortimer makes clear, it’s that Henry Bolingbroke, despite treachery, many, many assassination attempts, a treasury forever in gross debt, foreign countries plotting, scheming and changing sides, and a constant movement to dethrone him in other ways, survives.

While not remembered for performing any great deeds, nor leaving behind any churches or buildings of state (the only memorial to Henry IV is a statue on the east end of Battlefield Church at Shrewsbury), Mortimer proves that Henry was indeed a self-made king – someone who grew into the role and who did the best he could against formidable odds.

Tall, handsome, smart and deeply committed to his wives and children, Henry was a loyal man who nonetheless understood justice, even when it came at a high cost. Terribly ill from his late thirties on, he ruled against the odds in all sorts of ways. Reading his story, I felt like I was plunged into an action-adventure on minute, a political thriller the next, a romance with medical overtones after that. Marvellously told, rich and exciting, Mortimer is such a talent. He literally brings history and the people who made it to life on the page.

An outstanding book for those who love a good read, for the voracious history buff, and for anyone wanting to shed light on England’s past and thus present by looking at the lesser-known figures and their contributions – great and small, I cannot recommend it highly enough.

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Book Review: Daily Life in Chaucer’s England by Jeffrey L. Forgeng and Will McLean

For various professional reasons, I’ve been indulging in a medieval feast – the literary kind – where I’ve immersed myself in all things medieval in an attempt to get a feel for the period, the people, the material life. Reading a huge range of non-fiction and fiction books has been enlightening to say the least but, one of the most useful I found, and enjoyable, was Daily Life in Chaucer’s England (second edition) by Jeffrey L. Forgeng and Will McLean.

Acknowledging the importance of daily life and material culture to any understanding of the past, Forbeng and McLean present this marvellous and detailed overview of just what it would have been like to dwell in the late Middle Ages, using Chaucer’s time on earth as rough guide. This means we get a decent glimpse of the Fourteenth Century and the fears, foibles and beliefs of those who lived and died in this period.

Setting a context for their book by discussing, albeit briefly, the various wars and the kings who waged them, they then plunge into the nuts and bolts of society, explaining each stratum and their relationship to each other. Each chapter then focuses on an aspect of daily life from time, the importance of religion, to clothing and accessories, what was consumed, general amounts and costs, and there are even some recipes should you wish to try them yourself!

Arms and armour is a fascinating chapter where they deconstruct just what it took to place a knight on the battlefield and what weaponry and protection was required. That foot soldiers and less well-equipped individuals still fought for king and country without the benefit (!) of such armoury made me wince while reading.

A chapter is devoted to entertainment – songs, dances, cards and the importance that gambling played in life in those times. There are even music sheets and lyrics to the more popular songs.

What I particularly enjoyed as well were the break-out boxes that use more contemporary sources to highlight the chapter’s theme – so we have snippets of Chaucer’s works, legal documents, letters and general accounts.

Always aware that the period they’re covering was one in which society began to change quite dramatically (the plague mid-century and different attitudes to the clergy, brought about largely by the plague, the schism in the Church (two Popes) and the growth of the Lollard movement), Forgeng and McLean segue back and forth in each chapter, keen to make the reader aware of the various forces working to alter world and social perceptions.

If you are a lover of history, fascinated by the minutiae of daily life in the past, a writer or just a fact-finder, this is a terrific book.

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Book Review: The Reckoning by Sharon Kay Penman

Sometimes, it’s really difficult reading the novels of a writer whom you know takes great pains to be historically accurate while still telling a sweeping, dramatic and emotionally fraught tale. So it is with Penman who, in this last book of The Welsh Prince series, brings the story of the struggles of the Welsh prince, Llewelwyn, and the machinations of Edward Longshanks, King of England, to a close.

For those who know the history, you understand the ending is not a happy one and it’s this that makes the novel difficult reading. The tale of Llewelyn’s reign, his marriage, love, triumphs and losses, his turgid and troubled relationship with is brother, the complex Davyd, are all explored in wonderful, deep and moving ways. Likewise, Edward’s motivations, the relationship he has with not only his brother and cousins, but also his conscience, which appears to conveniently massage events and consequences to suit his purpose, are all told with such emotional truth, you both delight and ache for the characters and the futures that await them.

I adored this book – as I have all the others in this series and, indeed, by Penman. She is a historical novelist par excellence – in that she manages to balance both the history and the story-telling so very well. Lost in the chaos and turmoil of the era, the bloodshed, treachery and religiosity, the story is also laced with romance, honour, adventure (including pirates!) and betrayal.

As is usual with Penman’s work, she brings the female characters (those often diminished or elided by history) particularly to life, representing them as strong, brave, fully-rounded women who while they may not be on the frontline in the physical sense as battles and politics rage around them, nonetheless form the backbone and emotional rearguard upon which their men (husbands, brothers, fathers, cousins and sons) will rely to succour them.

From Ellen to Eleanor to Nell, they are three-dimensional, amazing women who loved their men – faults and all – and in the end, it’s they who bear the heavy cost of their loyalty and love.

A superb conclusion to a tumultuous and possibly lesser known period of history, I cannot recommend this series (or any of Penman’s novels) highly enough.

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