Do We Not Bleed by Patricia Finney

I kept reading about Patricia Finney and how good her books were, but because the first ones were not available on Kindle, I confess, I was reluctant to read them (I need to explain this. I am an avid bedtime reader and, before Kindle and ebooks with backlights, I would keep my partner awake or be forced to sit up in another room reading – even the little bed-lights you can get were a nuisance as turning pages and shifting it could be noisy and sometimes, the light was more like sleeping next to a lighthouse as the beam would strike your face occasionally. As a consequence, once ebooks came out, I felt liberated and my partner relieved. He always felt guilty about being unable to sleep when I read, as if he was responsible for cutting me off from that particular avenue of pleasure!). Then I found Do We Not Bleed? The first in Finney’s James Enys mysteries as an electronic book.

Well…

19385258What a wonderful tale. Set in the 1580s it centres on a young lawyer James Enys, who is not all he seems. After discovering a brutally murdered woman in the back alleys of London, the smart but rather quiet and sad Enys is teamed with the Puritan zealot with the marvellous name, Malverny Catlyn (who, it just so happens, was a real person and member of Sir Francis Walsingham’s formidable spy network), in order to track down the murderer. But this is no ordinary one, but a serial killer, preying upon the whores of London and Southwark and dissecting them in a manner that demonstrates both knowledge and a serious perversion.

Also aiding Enys in his mission is the playwright, William Shakespeare, ladies’ man and currently struggling for work.

The strength of this book lies in the detail – of London streets, life, the richness of the language and the way Finney describes everything from someone puking, menstruating, to the interactions between “upright men” (basically, a pimp) and their whores. Descriptions of interiors and exteriors place you in the moment and whether you like it or not, the various sounds, odours and realities of life in this period linger long after the page is closed. There is also a wonderful weaving of actual historical figures and fictional characters – something I love.

I was not surprised to learn that Finney also writes as PF Chisolm, whose series I am also reading at present and thoroughly enjoying – yes, in ebook form.

Having Shakespeare as a character in Do We Not Bleed? is a bonus and there are little poetic asides where we find Shakespeare waxing lyrical or daydreaming and creating and if you’re familiar with his work, you know how that particular moment will manifest in one of his pieces. There is something very “Shakespearian” about the tale (as readers will discover) and one of the lead character’s names (not mentioned here) gestures to this. But the novel itself is very poetic and nuanced. It is a treat in every sense and I cannot wait for the next instalment.

I have also ordered and received the first three of Finney’s books, starting with Firedrake’s Eye as paperbacks and am also loving the style and the way in which you’re drawn into the era. Stay tuned for that review soon!

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Book Review: Treachery by S.J. Parris

The fourth book in the Giordano Bruno series, Treachery, takes place in Plymouth, on the eve of Sir Francis Drake’s departure to harass Spanish ports. Accompanying his friend, Sir Phillip Sidney, who is tasked by the queen with bringing the exiled Portuguese ruler safely to London, Bruno, as readers have come to expect, stumbles into murder, conspiracies and, as the title suggests, treachery. Upon his arrival, Bruno learns that one of Drake’s officers has committed suicide, though after one look at the body, Bruno is able to confirm Drake’s suspicions, that his man didn’t take his own life, but was brutally murdered. Sidney (who has his own selfish reasons for wanting to earn the gratitude of Drake) quickly offers Bruno’s services to track down the killer.

Amid the grubby, bustling port town of Plymouth, more than one conspiracy emerges and Bruno meets some unpleasant people from his past – as does Drake – men intent on revenge at all costs. Hounded, hunted, second-guessed, watched, Bruno works against time and the evil intentions of others, all the while keeping an amorous woman at arm’s length and trying to discovery the mysteries of yet another heretical book.

Parris’s evocation of the time and place is terrific. For regular readers of the series, Bruno is such a fully realised character and the more you see him in action, the more you appreciate his humour, learning and (mostly) abundance of common sense. Sidney is given more time in this novel and his character is given the opportunity to, well, not shine, let’s say show its strengths and weaknesses. Likewise, one of the heroes of the Renaissance, Sir Francis Drake, is well drawn.

 

In terms of plot, the books follow a pattern: Bruno encounters death, bodies and plots and seeks to solve the conundrums they raise and offset the danger they pose to himself and others. Risking life and limb, he moves or blunders from clue to clue, being attracted to a woman, finally uncovering the identity of the killer/plot and saving the day (but not without a body count and a few victims). I don’t mind the fact that as a reader, I sort of know what’s going to happen. There’s a particular pleasure in knowing the rhythms and cadences of a series and part of the delight, even when you pick the identity of the antagonist (as I did early in this book), is discovering how the author uncoils the story. What Parris does very well is the interior life and motivation of characters, particularly Bruno and this is never predictable except in ways that ring true with the overall narrative arc and character development.

There are many twists and wrong turns in this novel as well as sub-plots and minor characters which all work to feature Bruno’s particular skills and attractions. Far more than the other novels, in Treachery, Bruno becomes a sort of Renaissance super-hero – sans costume – as faster than a speeding bullet from a blunderbuss and more powerful than a horse drawn carriage, he risks himself physically and in astonishing and dangerous situations again and again. Being a philosopher has never been so deadly or thrilling. Be prepared to suspend your disbelief, but not your reading pleasure.

A wonderful addition to a really good series.

 

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Book Review: Prophecy by SJ Parris

The second book in the Giordano Bruno series is set in 1583 and finds the Italian heretic and former monk, Bruno, ensconced in the French Prophecy (Giordano Bruno, #2)Ambassador’s residence in London, where plots against Queen Elizabeth’s throne fly thick and fast. Still working for the spymaster and queen’s secretary, Sir Francis Walsingham, Bruno keeps his ear to the ground, discovering unlawful correspondence and Catholic conspirators everywhere he turns… Or are they? Told to rely on another of Walsingham’s men, Fowler, for help, Bruno finds himself reluctant to share information. On the one hand, he is uncertain just who is inciting treason and who isn’t and wants to be sure before he accuses, on the other, he wants to deliver the culprit to justice himself. At the same time, celestial events are attracting a great deal of attention and Bruno is drawn into Her Majesty’s conjurer, Dr John Dee’s, strange practices, and the notion that a prophecy that predicts the downfall of the queen draws nigh.

As the book opens, however, Bruno’s position as both spy for Walsingham and member of the Ambassador’s household, becomes even more complicated when a young woman and one of the queen’s ladies is found ritualistically murdered in the palace. The way her body has been displayed indicates not only occult involvement, but also connections to the French Ambassador’s home and Dee’s predictions. As the body count grows and the signs point more overtly towards the French and the fulfillment of a prophecy, Bruno knows he has to act. But just as Bruno watches those who he suspects of terrible intentions, there are those who watch him and will stop at nothing to make sure their plans succeed.

Parris has really done her homework here, using known events and a documented conspiracy as a backdrop for this exciting, fast-paced novel. Just as Bruno is a real historical figure, so too are most of the characters, the plots and the correspondence that’s used in the tale. That a mole working for Walsingham dwelled in the French Ambassador’s residence throughout this period is also known. Going by the name Henry Fagot, he did indeed alert Walsingham and thus Cecil to the dire goings on and plans between the French, Scots and even the Spaniards, providing invaluable information. While Fagot’s real identity is unknown, Parris clearly inserts Bruno in this role (and some historians believe it could well have been him) and it works wonderfully well.

The French Ambassador had a reputation as a fine host whose table not only provided delicious food but also scintillating conversation, something Bruno particularly was expected to provide. It’s no surprise then that Parris dedicates quite a bit of the story to table conversations, recreating the dangerous and witty repartee with flair, as well as the religious schisms, strange beliefs and fears and cunning of desperate men and women. Not only that, Parris breathes life, ghostly, smelly, exciting, deadly, into Elizabethan London, making it is as much a character in the novel as Bruno.

A highly superstitious era that both loved and feared all things prophecy and magic (both were illegal as well), Parris weaves the precarious position of Dr Dee and the gruesome murders into her tale to create a tense and forbidding atmosphere where shadows, double-speak, ciphers, codes and mists rule. Nothing and no one is as they seem and it’s against this backdrop that Bruno must solve the murders and uncover the truth of the plots against the crown.

A terrific novel that any lover of mysteries, crime, and historical fiction will appreciate.

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Book Review: The Tudor Secret by C.W. Gortner

 

The Tudor Secret (The Spymaster Chronicles, #1)

This was a strange and compelling book. When I first started reading it, I almost cast it aside as I was annoyed by what I felt was being asked of the reader: that is, too great a leap of faith when it came to the historical facts upon which Gortner drew to craft his tale. But, as the story of Brendan Prescott, an orphan raised by the powerful and influential Dudley family and elevated to personal servant of none other than a young Robert Dudley just before the death of Edward VI, progressed, I became caught up in the plot and action and found it hard to put down.

Prescott, prior to his new role was a simple stable boy who yearns for the woman who raised him but died before he reached his teens, is sent to London to serve his new master and thrust into court politic. He finds himself not merely at the centre of a huge conspiracy to alter the royal succession, but also an unwitting pawn in a deadly game that’s been played between the leading noble houses for years.

Employed by Robert Cecil to spy on his behalf and for the benefit of the young Princess Elizabeth, Brendan doesn’t trust Cecil or his dark-robed henchman, the dangerous Francis Walsingham who, rather than an ally, seems more like the assassin rumours declare. Certainly, as it becomes evident that Brendan isn’t who he thinks he is, his mission becomes as much focussed on finding out his real identity – an identity others are using not only against him, but against those they would see brought down – as it is protecting the princess. Running towards trouble and finding it at every turn, Brendan also has his loyalty tested, discovers love, friendship and how the eyes and heart can deceive in extraordinarily painful ways.

Against a backdrop of religious and political upheaval, Brendan’s inculcation into Cecil’s spy network and his own story are interwoven. The story gallops and I couldn’t read fast enough to discover what would happen. My initial misgivings about what I thought was a misuse of history were laid to rest as Gortner cleverly mingles fact and fiction, but not in a way that stretches the reader’s faith (as I’d first feared), but in order to create an utterly satisfying narrative. Will be reading the rest in the series for sure.

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Book Review: The Life of Elizabeth I by Alison Weir

Having read Weir’s non-fiction, The Princes in the Tower, and thoroughly enjoyed it, I knew that this biography of Queen Elizabeth I would be worth investing in as well. It was much more than that. Impeccably researched and beautifully written, Weir’s work on arguably one of the most significant English historical figures is a tour de force. Commencing before Elizabeth’s birth in order to provide a familial, cultural, social and religious context for the monarch she was to become, Weir quickly establishes the fraught times into which the second daughter of Henry VIII was born.

The period leading up to Elizabeth’s ascension to the throne is well known: the decapitation of her mother, Anne Boleyn, for apparent treason when she was only three; her half-brother Edward VI becoming king at nine, dying at 15 and, in order to ensure England remain Protestant removing his sisters’, Catholic Mary and Protestant Elizabeth from the succession in favour of his cousin Lady Jane Grey; Lady Jane’s ousting in favour of Mary after only nine days; England plunging into religious schism as Catholicism was restored and heretics burned, suspicion of heresy and treason falling upon young Elizabeth, who living with Henry’s last wife, Katherine Parr had to endure the unwelcome (?) sexual attentions of her step-mother’s new husband Thomas Seymour, as well as having to hide her Protestant leanings from her older sister- and that’s just some of the events! Witness to so much turmoil, when Elizabeth finally took the throne at 25, in 1558, it’s no wonder that she took a more moderate line on religion, refusing ‘to open windows on men’s souls’ or that sheThe Life of Elizabeth I was reluctant to relinquish her unexpected but hard won autonomy and power to a husband.

After ‘Bloody Mary’s’ reign, Elizabeth was regarded by many as a saviour of the country, but her sex was always, even by those who respected her fierce intellect, ability with languages, and creativity (she was a gifted poet, musician and translator of the classics) struggled with her sex. Weir carefully explores the way Elizabeth kept both the Privy Council and the Commons dancing to her tune, enduring and appearing to consider their constant demand for her to find a husband and thus produce an heir while actually procrastinating continuously. Weir offers both psychological and practical reasons for Elizabeth’s ‘Virgin Queen’ status that are fascinating and plausible.

Virgin or not, ‘Gloriana’ enjoyed and encouraged the attentions of men and was a consummate flirt. Men were attracted to her power and, one imagines initially at least, her beauty. Robert Dudley, the Earl Of Leicester, his “stepson”, the Earl of Essex, Raleigh, Drake, foreign princes and dukes came into her orbit, but only a fortunate few were not destroyed by the encounter. Mercurial, demanding, vain, whip smart and with an enormous capacity to understand her people, proud, generous, haughty, Elizabeth was a handful. Prone to tears and tantrums, she also succumbed to flattery, particularly in her declining years.

Not all men fell for or pretended to yield for her charms (though none could deny her intelligence) and the queen, Weir makes clear, had a knack for surrounding herself with talented and loyal men such as William Cecil (Lord Burghley), his son, Robert, and Francis Walsingham. Women too, while not Elizabeth’s preferred company to keep, were among some of her closest and most beloved companions, such as Kat Ashby.

Earning the love of her people, the enmity of Catholic Europe, and the grudging admiration of her closest counselors, Elizabeth ruled England for decades, escaping assassination attempts, rebellions and Catholic uprisings, two papal bulls, never mind the Spanish Armada and countless attempts to marry her off. Weir not only gives us a fabulous portrait of the queen on the throne, but the woman beneath the white make-up, wigs and sumptuous gowns.

This is a marvellous biography that brings Elizabeth and the period to which she gave name to life. The problems – famine, greed, failed harvests, plague, disease, Catholicism – and the triumphs – the flourishing of the arts (theatre, writing, poetry, pamphlets, music, art) exploration, creativity, firmer establishment of the Protestant faith – with her unerring eye, gifted imagination and erudite mind. This is for lovers of history and those who enjoy a terrific read.

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