Girl in Snow by Danya Kukafka

Recommended to me by a dear friend with whom I share a love of reading, Girl in Snow, a first-time book from Danya Kukafka, is a sublime, beautifully written murder-mystery that rather than focussing on the forensics of the investigation into the death of a young girl, Lucinda Hayes, instead chooses to explore the impact her death and her life have on the people around her.

Told from three points of view: a cop with a deep secret named Russ, the strange, interior Cameron who though he has trouble socially, not only perceives the world around him in the most fascinating and imaginative way, can produce wonderful art. Much of his work is centred on Lucinda. Preferring to lurk in the shadows, when his work and manner draw attention to him and the secrets he keeps, he becomes a likely suspect. Then there is Jade: cynical and wise beyond her years, she too harbours desires and dark resentments, observing, alienating and loathing the townsfolk. The one thing she doesn’t keep to herself is her burning hatred for Lucinda and everything she represents.

Not only are the stories of these three characters interconnected, but so too is the relationships they have with Lucinda, their families and the neighbours and school friends who think they know them.

In order to solve Lucinda’s murder and bring her killer to justice, they must all face the past and, more importantly, the parts of themselves they’ve refused to acknowledge.

The thing that strikes you most about this book, apart from the tight plotting and totally credible resolution, is the gorgeous language. The prose is exquisite, the descriptions offered for mundane objects, for feelings almost impossible to express are all there on the page like poetry. Not only did I marvel at some of the descriptions, but became lost in the moment, saying the sentences over and over in my head like a litany.

Already I am looking forward to Kukafka’s next novel, because this debut is a doozy.

 

 

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Tell the Truth, Shame the Devil by Melina Marchetta

23566896 Tell the Truth, Shame the Devil by Melina Marchetta is quite simple a brilliant, moving and thought-provoking book that deals with so many familiar, contemporary and ideologically thorny and relevant issues in a sensitive and meaningful way.

The title is a quote from Shakespeare’s Henry IV, a king who was greatly misunderstood and is often cast by history and, indeed, his contemporaries, as a murderer of the worst kind. For his entire reign, he dealt with suspicion, distrust, gossip and attempts to assassinate his character and his actual person. It’s not surprising then that the novel also deals with someone, actually, a family, accused of murder most foul: terrorism and the brutal slaying of 23 people when a home-made bomb is detonated in a local supermarket, destroying lives, families and cultural relations. Just like Henry IV, the family and the community deal with the fallout, gossip, and everything and anything else the media and suspicious, racist minds can generate.

Fast forward 13 years, and the scene is set for another bomb to explode – this time in France on a bus containing British kids on tour. The novel then follows the inevitable fallout that occurs when it’s discovered that the daughter of one of the original terrorists, a young women named Violette, was a passenger on the destroyed bus. Worse, she’s disappeared and taken a young boy with her. Suspended DI, Bish Ortley, whose daughter, Bee, survives the carnage, commences an investigation into the tragedy. Crossing continents, counties, encountering co-operative parents, scared and hostile ones, cultural and racial conflict, as well as his own personal demons, Bish is determined to find Violette and the boy and protect them. But there are others, including a rapacious and unforgiving media who have other ideas.

Set across mainly two countries, England and France, it nevertheless draws other countries (including Australia), cultures and faiths and the people that represent these into its narrative. Avoiding stereotypes, Marchetta constructs real people who you engage with, believe in and champion with every breath, every word. The demonisation of Otherness, the way misunderstandings are formed, and cultural appropriation manipulated, is charted and exposed in all its callus cruelty as is the ease at which we’re prepared to accept the worst of people before the best; the way in which we allow fear to govern our responses even when our hearts and heads tell us differently. It’s also a story about families, about young people, trust, loyalty and the bonds that both tie and divide us.

A timely, superb book and beautifully and powerfully written, that will have you thinking well beyond the last page.

 

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