Lessons in Chemistry by Bonnie Garmus

I don’t know about you, but when I hear great things about a book and read the fulsome praise bestowed upon it, I become not only a little bit reluctant to read it lest it fail to live up to expectations, but incredibly anxious for the author. I ambivalently picked up Lessons in Chemistry yet, by the time I’d read the first page, relaxed. It was more than evident that this book was not only going to meet my expectations, but exceed them.

The story of the magnificently named and highly unconventional (for the era – late fifties and early sixties) Elizabeth Zott, is one of the most engaging, fiercely intelligent, funny, observant and anger-inducing, while also simultaneously squeezing the heart, books I have read in a long time. The prose is simply sublime.

Born into a time where women should know their place and refrain from offering opinions, Elizabeth refuses to accept that people, let alone women, can be “average” and contests the very notion of what is “normal.” A chemist by passion and profession, she is also at the whim of patriarchal forces who refuse to see beyond her evident beauty to the wily, razor-sharp brain and wit beneath.

Due to a series of circumstances (and I really don’t want to say too much for fear of spoiling what is such a cracker of a plot and narrative arc, let alone character development), Elizabeth finds herself helming a cooking show, Supper at Six. Refusing to concede to the male producers’ ideas of how a female host should comport herself, Elizabeth is of the firm conviction that cooking IS science; furthermore, it’s a matter of basic chemistry. Thus, while teaching viewers to cook, she also instils in them not only the fundamental principles of chemistry, but a series of life-lessons. After all, what is chemistry but the deliberate combination of elements in such a way that they bring about change? If society cannot change, then women must, and in doing so, change society.

From an underestimated and undervalued scientist, struggling against dreadful inequality and inequity, personal obstacles and emotional upheavals, misunderstandings and great bonds broken, Elizabeth’s star slowly rises and yet, as it does, her happiness declines. Never having reconciled her past or that of her soul-mate’s, both begin to catch up with her in unexpected ways. Soon she has to make a decision that will impact not only her life, but that of those she loves most in the world.

I have to tell you, my husband started reading this book before me (on my recommendation – it was also my way of testing the waters before I started it! I know…coward!). He fell in love with the story, the wondrous, warm voice and Elizabeth from the get-go (so did I). But, he also became so furious at the injustices meted out to her, the hurdles deliberately put in her path, the brazen lies, complicity of those who should be allies and so on, and frustrated at the appalling treatment of her and other women generally by men and society at the time. He warned me I’d be triggered (he certainly was).

Strangely, I wasn’t triggered, not in the way he expected. I was, as I read and read and sighed and sighed, merely disappointed. What Elizabeth went through in the late 1950s and early 1960s, myself and countless other women have done for centuries. Even twenty years after Elizabeth entered the workforce, I was – like all my female peers – being judged and valued (or not) by the same kind of criteria. Women still are today. As a writer of historical fiction and someone who researches history constantly, it’s evident women have been ever since Eve bit the apple and our entire sex was made to pay for her chutzpah. Who would have thought that a medieval woman would be experiencing the same kind of bigotry, silencing and oppression a woman in the 1960s did – with very little difference? Yet, this is what happens – within context, of course.

Nevertheless, I didn’t find this book depressing – and believe me, there are some truly horrendous moments. On the contrary, it’s testimony to Garmus’s fantastic style and her sensational supporting characters (there is even the most adorable dog who is given a voice – the wonderfully named Six-Thirty), that this book, despite its dark themes and bitter-pill scenes, fills you with hope. It has such heart, such warmth and possibility – this is mainly due to Zott and her little family. I laughed out loud so often (I woke my hubby one night), and found it hard to tear myself away from the story.

There is not a word out of place, a character who doesn’t matter. This is a sharply observed, beautifully told story that delivers an important lesson about self-belief, about challenging the status-quo, about supporting people and how kindness and goodness are everything.

As you can tell, I adored this book. Just adored it. So much so, I wish I hadn’t finished it. One of my top reads – ever.

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The Once and Future Witches by Alix E. Harrow

Isn’t it amazing how people can read the same book and yet have such contrasting reactions and opinions about it? I just read a review of this book which damned it with faint praise and yet also offered very legitimate and well written reasons as to why that particular reader didn’t connect with the story or characters. Well, my experience could not have been more different. I adored this book – the story, the use of real history, the wonderful rich and complex characters – so much so, I slowed down my reading because I didn’t want this tale to end.

So, what’s it about? Set in the late 1800s, and in a world that mirrors our own but isn’t quite the same (for example, there’s magic), the action occurs when the suffragette movement was finding its legs and voice in the USA. It’s about three estranged sisters, Juniper, Agnes and Beatrice who, almost against their will, find themselves together in New Salem where the women’s movement is struggling to be heard. Forced to hide and even deny their magic, women and witches have endured oppression, bigotry and violence for centuries and this appears to be gaining momentum. As the blurb says, there are patriarchal forces out there who will not suffer a witch/women to vote – or live. But those forces didn’t account for the combined power of the three sisters nor the magic they unwittingly unleash and must now seek to harness if they don’t want the dark powers stalking and haunting them to silence them and thus all women/witches once and for all.

Exquisitely written, rich and dark, this tale about some women’s fight for recognition, for basic human rights and the lengths they’re forced to go to in order to secure these, the sacrifices they’re prepared (and not) to make, echoes loudly even in these times. It is a tale fraught with peril, dangerous beauty and wonderful friendships. It’s about love, loss and the troublesome nature of families and the bonds that both unite and divide, and how our pasts have an unfortunate habit of coming back to plague us. Imaginative, wondrous and so relatable in the here and now, this is a marvellous book that will linger long after the last heart-wrenching page. 

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Mrs England by Stacey Hall

After reading so many positive reviews of Mrs England, a new historical fiction by Stacey Hall, I simply had to read it. The title is bold and strangely evocative and the cover is gorgeous too, but it’s what lies between that is utterly compelling.

A slow burn of a book, it draws you in with beautiful prose and marvellously but economically crafted characters (this is high praise – Hall allows you to see and even understand a person with a deft few words). The titular character from which the book earns its title doesn’t appear for quite a while and, indeed, the story is told from the first-person point of view of Norland nurse, Ruby May. Quiet, efficient, in some ways Mary Poppins-like, Ruby is a woman who takes her work and the charges in her care very seriously. She knows her place and responsibilities. The Norland Institute motto – Fortitude in Adversity – is etched on her conscience. 

When circumstances send Ruby to Yorkshire to care for the four children of the wealthy England family, who are part of a greater dynasty who have made their riches from wool and milling, she meets the challenges of a new family, new charges and new area with aplomb. The master of the house, Mr England, is nothing like she expected, nor is his quiet, disinterested wife, the lovely but very fragile Mrs England.

As the weeks go by and Ruby settles in, the children responding to her genuine care and ability to nurture and bring out the best, she begins to sense that all is not as it seems in this strange but beguiling family. As letters go missing, information is misunderstood or misconstrued and mysterious goings-on begin to occur, Ruby starts to wonder if she has misjudged not only the family, but her own abilities. After all, Ruby has her own secrets, ones that if they should be revealed will not only threaten her livelihood, but that of those she loves.

This is one of those books that lingers in a strange and quite wondrous way. The telling is superb and even though in some ways not much seems to happen, it is like an ice-berg with nine-tenths occurring below the surface. You cannot stop turning the pages, wanting to know, to find out more. The story-telling is first-rate, each scene building on the last, persuading you to keep going so you can see the complete picture… and yet, it remains somehow elusive. And then, just when you think you have it all sorted and neatly wrapped up, Hall delivers one of the best OMG moments on the final page. It overturns everything and, if you hadn’t already gleaned why the book carries the title it does, this will cement it for you.

A really clever, completely fabulous read. 

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The End of Men by Christina Sweeney-Baird

I adore eschatological stories – end of the world ones. Whether they’re books, films, TV series, if they’re about humanity and/or the planet facing imminent annihilation, or about to implode, count me in. I think it was Stephen King who said people love horror stories precisely because they’re vivifying and remind us to appreciate life. I think it’s the same with doomsday stories. So, when I learned that The End of Men by Christine Sweeney was, essentially, about this but, as the title indicates, with caveats, I thought, why not? And then I paused with a couple of misgivings: am I ready for a book about a virus that sweeps the world and changes it considering well, you know. And, secondly, is this book a hard-line feminist take on the effects of a pandemic or is it something else? I’m all for feminist narratives, but what if it’s really a thinly disguised man-hating rant? Do I need that right at the moment considering all the rage we’re feeling; the sense of justice delayed? Maybe…

Pushing aside my concerns, I went ahead and read. And read. And read. This book was impossible to put down.

Basically, it describes a world overtaken by a pandemic except, as the title indicates (so no spoilers) this virus only kills men. Very few (about 10%) are immune, but all women are carriers. It starts in Scotland and, as we very much know, despite efforts to contain it, spreads with a virulence. Told from multiple points of view – mostly female, but some men, the reader enters into the head, heart and experiences of a range of people – scientists, journalists, mothers, fathers, partners, single people, politicians, teachers, farmers – ordinary men and women – heterosexual, homosexual, trans etc. In that sense, in style and even progress, it reminded me a little of the power and impact of Max Brooks’s Word War Z (which I also loved). The immediacy draws you in and doesn’t let you go and you long to discover the story arc of a person you’ve just been introduced to, learn what happens to them, their experiences. Do they survive? What about those they love? And so the story develops from the start of the pandemic to its aftermath. It’s an intoxicating and breathless ride. 

World War Z (reprint) (paperback) By Max Brooks : Target

Yes, it is a feminist take on the end of the world, written with such searing intellect and a huge heart. It’s political, social, moral, psychological, economical, cultural and so much more besides. It is completely thought-provoking and I am so in need of people to talk to about some of the notions raised, I am pressing my partner and close friends to read it just so we can debate and discuss. If that’s not a sign of a great book, I don’t know what is. Book clubs will love this. And what of my second concern, that it might be a man-hating treatise? On the contrary, while there are some hateful men (and women) in it, it’s a realistic take on patriarchy, how it has shaped the world – for better and worse – and what the loss of 90% of one sex – those who essentially built it – might do. What changes would be wrought? Would life as we know it continue? (and, of course, you have to ask, what if the virus had killed 90% of the women? Would men have handled the situation the way the women in this novel have? I think we all know the answer to that… but what a discussion is to be had right there!). Far from loathing men, the novel portrays the multiple roles they play in relationships, families, professional spheres – including trades, medicine and politics – and what their loss signifies and the changes that must be wrought to compensate. In so many ways it points to how we (mostly) need each other – regardless of sex.

I am not going to say too much more except to recommend this over and over in the highest possible terms. It’s not so much an end of the world narrative as, to borrow from the song, an “end of the world as we know it” book. I think I have to call it now and say, this is one of my all-time favorite reads. Not just the story, the way its told, but for the fact it is so plausible and that it makes you think and feel and ask, “what if?”… and then wonder… 

Absolutely sensational. A ripper of a read. 

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The Dictionary of Lost Words by Pip Williams

The origins of the Oxford English Dictionary have been explored by a number of authors over the years – The Surgeon of Crowthorne, by Simon Winchester (a fabulous read) a non-fiction book and recently a film, possibly being the most famous. Yet, Pip Williams‘s, The Dictionary of Lost Words, though a work of fiction (using an accurate historic setting) could well topple Winchester from this throne.

Lost Words takes the creation of the OED as its raison d’être, but instead of focusing on the primary male actors in the development of the dictionary, it concentrates on the women and the female-centric words that were excised from the original work – for no other reason than they weren’t regarded as having enough significance. 

Weaving the fictional story of Esme, the daughter of one of the lexicologists working on the dictionary project, we follow her from early childhood where she finds the word “bondmaid”, a word that refers exclusively to a subordinate female position, discarded on the floor of the “Scriptorium”. This is the place where her father and his colleagues work tirelessly to collect and collate words under the supervision of the real historical figure, Sir James Murray. Esme’s discovery and the word’s exclusion sparks a life-long quest in Esme, to understand the power of words, why and how they shape us and why some words are selected for inclusion in such an important work and others aren’t. I don’t want to say too much more and risk spoiling what unfolds. Needless to say, with a backdrop that includes the rise of the Suffragette movement and World War I, Esme’s professional and personal journey, which have words at their very heart, is riveting, deeply moving, as well as beautifully and lyrically written. On top of that, it’s an erudite exposition on the power of language, how it evolves (or not), and why the (male) gate-keepers are so reluctant to give ground. It’s about power, its imbalance and who is regarded as having a legitimate voice and why and how others are silenced. It’s also about women’s struggles for recognition and agency in a world that was keen to deny them both – even when they were intrinsic to the very project that enabled their exclusion. 

I couldn’t stop reading this book, not only is it exquisitely written, but it’s also completely engrossing. Esme’s life and the wonderful characters who enrich it, and the events that become significant and heart-breaking yardsticks are captivating, but so was the story of the English language. While on the one hand, I was turning pages rapidly, I also didn’t want the book to end. 

I cannot recommend this glorious book highly enough. It will go down as one of my all-time favourites and that is a big call. 
Honestly, I am so proud of Australian women writers. Seriously, I’ve just read about eight magnificent books by them in a row – all completely different and yet all telling wonderful stories in rich, creative and intelligent ways. Thank you. Thank you. 

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