Nine Perfect Strangers by Liane Moriarty

Let me start this review by saying how much I love Liane Moriarty’s books. I have read every single one with responses ranging from incredible (Big Little Lies), to yes, I quite enjoyed that – and not in a “damning with faint praise” way, but yes, I liked it. Nine Perfect Strangers, strangely enough, hovers between these two responses with a dash of disappointment added in as well. Let me explain…

After an opening scene that sets up a back story, the action moves ten years forward as the nine strangers in the title  – though less than perfect – descend upon a Wellness retreat called Tranquilium to change their lives. Each chapter is dedicated to a particular point of view – including those of some of the staff and the rather remote, exotic and passionate owner of the retreat, a Russian expatriate who has managed to transform her own life and is committed to doing that for others.

The reader is taken on the transformative “journey” these nine people are asked to share. A journey that involves a great deal of trust on their behalf and a sacrificing of the various pleasures their real world lives afford them. Slowly – and not so slowly- we learn what has brought them to a point in their lives where they felt they need to escape and change. The revelations are heart-aching, humorous, deeply felt, clever and the characters are brought to life through their back stories, insecurities, desires and flaws. But what they find at the retreat as the ten days begin to pass is not what they expected. As more and more is asked of them they begin to wonder, is change worth it, even if it means saving a life, marriage, relationship, mental health and well-being?

The first fifty percent of this book had me hooked. I engaged with the characters, felt compassion for them, laughed and cried alongside them and was drawn into the motivations of their lives past and present. I believed in them and their reasons for taking such an extreme option. I also enjoyed the gentle cynicism around the whole notion of “wellness” retreats and the expectations/demands of staff  and how these collide with and undermine those of the clients. But, at the halfway point, the story suddenly ventures into unexpected territory when one of the central characters becomes almost a caricature replete with accent. The reader is asked, along with the nine strangers, to suspend their disbelief as the tale and the clients’ experiences, descend into what is akin to a farce. My credibility was strained and I became frustrated as I was so enjoying the ride up until this point.

Moriarty is a beautiful writer and her insights into human nature and relationships are deep and shiny. Little pearls that pop and make you sigh, cry and laugh in recognition. This is what kept me reading and saved the latter part of the book  – to a point – for me. Threaded through this were still moments of incredulity (on my part – eg. there is an extended sequence where the characters “trip” and I found it unrealistic, too convenient from a narrative perspective and such a stretch, I found it uncomfortable) which undermined a persuasive and deeply felt story of the desire to transform, the pressures to do this, and why some people both feel they have to and resist. How in contemporary times so few people are content with who and what they are. The moral core of the story is sound, but the frame becomes frail and, in my humble opinion, came close to snapping. Never mind the fact some characters remain two-dimensional – sometimes so much so, they simply walk off the page with very little explanation.

Overall, this is a quite good read that contains some fabulous characters but, at times, a thin plot. That was, for me, the disappointing part. It’s wonderful prose which contains some searing insights into human nature and relationships, all explored with a deft and kind hand. I really love Moriarty’s work and will look forward to her next book even while I feel a little ambivalent about this one.

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Truly, Madly, Guilty by Liane Moriarty

26247008I couldn’t wait to read Liane Moriarty’s latest novel, Truly, Madly, Guilty as I’m a huge fan of her work and have been really happy to see her finally getting the media attention she deserves here in Australia (even though readers of her books have known for years what a huge talent she is). The moment it downloaded on my Kindle, I put the other book I was reading on hiatus and commenced.

Did I regret doing that? To be frank, yes, and more than a little. Truly, Madly Guilty, though good, was not the smack you in the face with recognition and wonder that her other novels have been. While in many ways it starts (as Moriarty’s books often do) with a close-knit cast of characters bound by either familial ties, personal history, neighbourhoods or professional bonds and, like Big Little Lies, has these people share a crisis, that’s where the comparison ends.

The crisis that unites these people isn’t made evident until halfway through the book. Until then, the reader is treated to both prolepses (flash forwards) and flashbacks to the day of the BBQ when IT all happened. We’re privy to both the innocence and naivety of people coming together with all their oh-so-important anxieties and foibles and then the impact the crisis has upon them personally, as couples, families and friends and the differing perspectives it gives them: on life, themselves and each other.

In some ways, this novel is Big Little Lies Lite. There’s no doubt Moriarty has a huge gift for pluming the depths of personal neuroses and what makes people and families tick or implode, but for some reason, for at least two-thirds of the novel, I didn’t actually connect with or care much about the characters. Such an alien feeling with one of her novels, where I’m usually heavily invested in at least the characters and entwined in the plot as well. The book dragged in parts and I almost gave up on it, but this was a Moriarty and you don’t put her aside for anything!

So, I didn’t. I persevered. But, I wanted the book to hurry up and finish so I could get back the one I’d abandoned. However, the last third of the book goes a long way for compensating for the plodding and rather bland pace of the first part. Suddenly, the tempo quickens, characters’ motivations are both exposed and explored and actions make sense. Most importantly, I felt empathy for the characters, even those I didn’t much like. Finally, I understood them.

In some ways, this was just the right conclusion, if a little too late, to make up for what was a slow starting novel. But I did end up feeling really satisfied and not nearly as disappointed as I feared I would be.

The writing is still lovely and there are some real laugh out loud and poignant moments, but overall, I have to say, this was an OK read, not like her other books, a sensational one.

 

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What Alice Forgot by Liane Moriarty

WhatAliceI’ve been on a bit of a Liane Moriarty binge at the moment, starting with Big Little Lies, then The Last Anniversary, followed by What Alice Forgot. The whole premise of this book is amazing and the subsequent story that unfolds very, very easy to plunge into and difficult to put down.

Alice Love wakes up from a nasty fall in her gym, one that leaves her badly concussed and with a substantial memory loss. In fact, Alice cannot recall the last ten years of her life – as far as she’s concerned, when she wakes up with worried folk bending over her, she’s twenty-nine years old, pregnant with her first child, and besotted with her husband.

Upon awakening, not only does he learn she has three children (whom are complete strangers to her), but she is divorcing her husband and even has a boyfriend. Practically estranged from the sister she was once close to, as Alice’s friends gather to console and help her, aghast and bemused by what’s happened, she starts to realise she doesn’t like some of these people who seem to know her so well, very much.

As the days unfold, Alice begins to learn it’s not only her immediate family and some friends who are foreign to her – the more she learns about the woman she’s become, processes the physical and psychological transformation she appears to have undergone, the more Alice understands the biggest stranger in her life is herself.

The book follows Alice’s journey as she stumbles through what she’s become, tries to reconcile the past ten years with the present and desperately tries to remember how and why she ended up in her present state – divorcing, apparently angry and quite brittle, and someone so different to the person she once was.

Brilliantly conceived and written, I was riveted to the page, wanting to desperately to see how the narrative would resolve itself, what choices Alice, who you both want to remember her past and pray she keep forgetting, makes. You can’t help but ask how you’d feel if the same thing happened? Disappointed in yourself, proud, discontent, regretful, ecstatic? What would you do differently if you could?

As much an exploration of maturation, choices, marriage and family and the various forces that seek to mould and, if we allow them, change us, this is also a romance novel of the best kind – one that plumbs the positives and negatives in all kinds of relationships – from that we have with the opposite and same sex, to that we struggle with as we try to love ourselves.

Witty, heart-wrenching, nail-biting and very clever, I dare you to be able to leave the page.

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The Last Anniversary by Liane Moriarty

imgresA wonderful story of secrets, families, hope, regret, relationships and the way in which the actions of past can impinge upon the present from Liane Moriarty. Set on an island (Scribbly Gum) in the Hawkesbury River, New South Wales, Australia, it centres around Sophie Honeywell, a sweet-natured woman who reflects upon her life and decides that because she is in her late thirties, single and childless, she may have made some huge mistakes, including letting the man who asked her to marry him, Thomas Gordon, get away years earlier.

When she is left an extraordinary bequest by Thomas’ Aunt Connie, one that sees her relocating to Scribbly Gum Island and becoming part of the commercial enterprise that is the Munro Baby mystery – a mystery that harkens back to the 1930s when two residents of the island, Alice and Jack Munro dramatically disappeared, leaving behind a baby which the then island residents, Alice and Connie, raised as their own – she is flung back into Thomas’ life and that of his rather eccentric family. Befriending them all over again, Sophie is forced to reassess her life and her opinions of those who both seek to include her in the Munro baby enterprise but also those who feel that as an outsider, she has no right to be on the island and upsetting the status quo.

The longer Sophie stays, the more she begins to understand herself, what she wants from life and the “enigma” that is the Munro mystery.

While this book doesn’t quite have the sophisticated plot and characterisation of Big Little Lies, it is a delightful, light-hearted examination of people and the way we form and maintain or break relationships as well as how decisions made on the spur of the moment can have a huge impact upon the future. Often funny, moving and with a serious side, it’s an easy read and a great way to pass the time. Moriarty paints the characters so well, even the minor ones are three-dimensional and, just like real people, can be alternately annoying, fascinating and adorable. I read this while on holidays and reluctantly tore myself from it. While some of the narrative is predictable, there is a marvellous twist at the end that I never saw coming and found eminently satisfying. Another good read from a simply fabulous writer.

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Big Little Lies by Liane Moriarty

19486412I don’t know why I resisted reading this book even though I continued to hear good, no, great things about it. Interestingly, much of what I did hear was understated. Rather than claims of ‘it’s fabulous/wonderful/moving/erudite/beautifully written’ (and believe me, this novel is all those things and more), the phrase I heard the most was ‘just read it.’ I also noted that people whose judgment I value rated it their best book of last year.

Finally, early into 2015, I picked up Big Little Lies and the silly notion I’d developed that it was somehow a comic novel rapidly disappeared as I was drawn into the world Moriarty has created and the lives of its fully realized and complicated characters. Now, don’t get me wrong, there are some genuinely laugh out loud moments as there would be in a novel centered around three women whose common ground is the school their children attend and the small beachside neighborhood they live in. Anyone with children in primary school forced to interact with other parents knows playground and parental/family politics can be a source of great amusement but also, as a Big Little Lies intricately and accurately maps, painful angst.

Told from multiple points of view, the novel follows part of a school year and three mums whose children are newly enrolled in kindergarten. There is pragmatic ‘I call a spade a spade’ Madeline with her love of bling, glitter and her fierce sense of loyalty and social justice. Then there is her close friend, the extremely beautiful, slightly ethereal and distracted Celeste, mother to rambunctious twin boys with a perfect husband, house and wealth to spare. Finally, there is single-mother, Jane and her beloved young son, new to the area and carrying a great secret.

The narrative unfolds retrospectively, the pivotal moment (*minor spoiler* – it is revealed in the blurb but don’t read on if you don’t want to know) in which time starts to wind back is a murder. Taking us back to the point at which the three women meet, we follow the first tentative steps of friendship as Madeline and Celeste, who are already good friends, take Jane under their wing. This fledgling threesome’s friendship’s bonds are immediately tested and tightened when Jane’s son is accused of something terrible at school (no, not the murder).

Thus the stage is set and what unfolds as the school year progresses and we start to race towards what we already know is going to happen is both the normality and impossibility of the daily life and grind of ordinary people. Moriarty plunges the reader into these women’s lives and the secrets, lies – big and small – and truths of their existence, and that of their children, partners and families, as well as those of the many other characters that pepper and influence their lives. Other voices are given a brief platform from which to speak, serving to draw the reader into the mystery underpinning the entire story: who was killed? Where and why and by whom?

Masterful, evocative and haunting, the novel captures so many of the complexities of relationships: the joy, despair, frustration and fury that can co-exist under one roof between partners, parents and children, as well as those we call friends or acquaintances. It reveals what lies beneath the surface, exposes the facades we powerfully erect and work hard to maintain and why we do this as well. It explores the ways in which and reasons behind certain behaviours, even when we know they’re wrong or wonder what we’re protecting by acting that way – usually, ourselves.

This is a wonderful, chewy novel (by chewy, I mean you find yourself considering so much of what happens and what is said, turning it over and over in your head, thinking scenarios through, in many ways, testing their veracity and asking yourself, would I (or anyone I know) have said/done that) that lingers for ages in the head and heart. It is so believable, the characters so three dimensional and real you want to either slap them, interrupt an argument and add your two bits worth or invite them to a party and get drunk with them.

Absolutely marvelous prose by a brilliant writer whose work I cannot wait to sink my teeth into again and mull over some more. Might be an early call, but could be my best read for 2015…

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