Archive for February, 2010

Mother, Marriages and Mourning

Feb 21, 2010

Farewelling my Aunt - that's my mother, holding me in her arms

I don’t know when or how I realised, but I noticed that I didn’t include any photos of my mother, my biological mother, in my photo gallery. When I discovered this, I felt a bit like someone who sends out the wedding invites only to realise too late that they’ve left a really important person from the guest list. Only, this was my mother, how bad am I?
Well, in some ways really awful, but her absence – unconscious – really – is a reflection of our complicated relationship. It was simply love/hate. Were my mother alive, she would be terribly hurt that I’d omitted her, but also laugh and pretend to understand. Then she’d bitch about me to my sister and grandmother. You have to laugh. That’s how it was.

So, I want to make up a little for my dreadful oversight and write about my mother, my Ima, Edna Ruth Rosenthal, who died on August 30, 2006, the same week as Steve Irwin – I know, because I wrote the equivalent of a eulogy for him (for the Courier Mail) the same day I wrote the one for my mother. That was a tough day.

In summary, my mother was a five foot tall, red-haired, blue-eyed, Israeli immigrant whom I lived with for my first 12 ½ years as well as an ex-soldier (medic in the Israeli army), and an ex- wife. Why do I mention that? After all, so many people are exes these days. Well, like most things my mother did, she didn’t do it by halves. My mother was married eight times. Yes, you read that correctly – eight – 8 – times. Marriages that spanned three continents and some very different men – an Israeli officer, Australians (including my dad), we think an Austrian, an American, and a New Zealander. There were religious men, abusive men, kind ones, nasty ones, patient and dishonest ones. She broke some hearts and had hers broken as well. She also had relationships with a couple of women – but they were over and above her marriages. I liked having two mums very much. She was also a shop-a-holic.

As her eldest daughter, I can admit I didn’t know her as well as I would have liked. That was partly due to my mother herself and partly because of the dreadful circumstances that drove us apart and kept us that way for far too many years. That, and the fact she migrated to the USA for the last 16 years of her life.

I didn’t speak to my mother for long periods as I struggled to understand some of the decisions she made around me, my sister and family. It was only as I grew older, wiser and probably more tolerant that I started to see what made my Ima tick – and I found I liked it – not enough to emulate it, but it helped me understand the woman she was. But it took me a long, long time.

Every person she encountered, she had a slightly different relationship with and that meant that each person knew something distinct about her. She was the master of reinvention – she would simply leave out parts of herself that made her uncomfortable or uneasy. She lived in the now. Sometimes, that omission involved me – hence my some of my problems with her. But, what I have also learned is that this tendency to elide or remove parts of her life make it so hard to draw a coherent portrait of my mother: the woman known variously as Edna Ruth Brotzen, Nadler, Adams, Davenport, Woitasec, Pettit (insert two names here- I don’t know them) and, finally, Rosenthal. But I am going to try…
Ima was a young mother – even when she was close to death, and aged by her cancer, she remained young in her heart and mind. Not in any immature way – but in that deliberate way that some people foster to always see life as a glass half-full, no matter what was meted out: divorce, loss of children, pets or husbands. That was Ima. She embraced life and she embraced change with a youthful enthusiasm that was so contagious. This was something my younger sister, Jenny, and I adored about her.

Ima and my son, Adam, 1986

Some of my earliest and happiest memories were tapping into her fountain of youth. I remember as kids, Jenny and I, lounging on Ima’s bed, giggling and eating; watching her get ready to go out somewhere with a boyfriend, her long eyelashes fluttering at us in the mirror while her shoulder-length auburn hair bounced across her shoulders. Our friends all thought our mother was a movie star (keeping in mind, Australia was very parochial in the sixties). She was certainly exotic, different and she had an accent.
It wouldn’t be right not to talk about Ima’s voice. It was so sharp, it could cut through frozen butter. Tending to get shrill when she didn’t get her own way, Ima could dig her heels in and be as stubborn as, well, a contended cat. For Jenny and me, our childhood is accompanied by the soundtrack of our mother’s voice and yes, like any mother, she could nag like a broken record.

I don’t think it’s my place to talk about our mother’s chequered past or what I have patched together through half-stories, rumours and hearsay. Needlesstosay, our mother’s life until she met her last husband, Gary, is more colourful than the beads she could string together and the lurid shirts she’d wear with flair: and that’s saying something. What I can reveal is she met Gary by answering an advertisement in a newspaper in the USA. It was not a classified ad either. There, I have said too much! Let your mind boggle, you won’t even come close!
Jenny and I both had very different relationships with our mother: Jenny and Ima were closer, but that’s as much my fault as Ima’s and do I have regrets about that?

Jenny, Ima and me - Red Rock Canyon, USA 2005

Yes, of course I do. But I’m not convinced that, considering how our lives panned out, it could have been any other way. But Jenny and I (like Ima), never got caught up in petty or silly jealousies over what was simply a fact of our relationship. We both loved Ima in our own way and were loved by her in return.
Ima always valued friends. Like the damned thousands of Boyd Bears (ceramic and soft), she would collect never to discard, even if they gathered some dust of neglect, she’d find her friends again and give the relationship a shine. Not always able to express in words or in emotions she was comfortable with how she felt, she would instead shower friends with gifts. She would purchase them to give as though they were a part of her in ways that others share secrets. I used to think it was a signifier of shallowness. I was so wrong. It was a sign of someone who learned, through her own life circumstances (abandoned by her mother – as she saw it – in Israel at the age of four, with her twin), a different and safer way of communicating. Recipients of gifts, no matter how they really feel about you, will generally show gratitude. She loved receiving that – and thanks: of basking in the glow of appreciation. Gifts (and re-gifting!) were the manifestation of her feelings. In some way, this was more lasting to her than memories, which fade or become warped with time and retelling (or omission!). So, whereas I once discarded her gifts, I now treasure the few I kept, no matter how easily they were given or how often – she meant them as signs of real affection.

I cannot write about my mother without mentioning the word shopping. Our mother pathologised the notion of retail therapy. She was the most wonderful shopping companion who turned what for me is a boring chore into a fun experience. I loved shopping with Ima – so did Jenny – and it will be hard when we’re next in Las Vegas (where she moved from New York) to shop without her. I think we’ll have to visit Ross’s the way pilgrims visit shrines.

Some of my mother's Boyd Bears

I’m sure her spirit is there – or in Walmart – scooping up specials and keeping an eye out for a bargain. For some reason, I imagined her last day on earth as one where she would be shopping in Ross’s and suddenly collapse – a case of shop till she drops. Sadly, that wasn’t to be.
Instead, our mother died at home, with her husband, Gary, not by her side, but on the computer where he usually was. Her cats were there, all her collectibles and, most importantly, her friends who also came and shared time with her – as it turned out, precious time.

My mother had a life that was harder than I think even I can begin to imagine – such loss and denial and such betrayal. Unfortunately, some of that was inherited by the next generation. But, she managed to rise above all that – partly because she never looked back and she refused to ever be a victim.

That’s how I choose to remember my mother; that’s how Jenny chooses to remember her too. Not as a woman with faults, but as a beacon of strength and courage, of endless humour and instant goodwill. She was a fighter and a friend; a wife, a mother and a good listener. As a fashion plate that reinvented the word style every season. She was a great cook (I didn’t know that until I was in my twenties) and a consummate shopper.
My memories are conflicted, but they’re rich and passionate. And so was our mother – rich in what’s important: family, friends, pets, two children that loved her for what in the end we

realised she was; a step-brother, Peter, who adored her,

Ima and Peter - she died just over a month later...

a half-brother, Gideon – still in Israel, a twin, Hannah (Peggy) who also grew to love her and eight husbands who, I’m sure have very different recollections of the woman who made their life heaven and hell on earth.
My mother is no longer with us in the corporeal sense, but her indomitable spirit lives on: in the aisles of Walmart, among the racks of Ross’s, they would be in her various collections, only her last husband sold them so perhaps they’re in what remains of her feisty, beautiful cats, but most of all, she’s in our hearts.
Shalom, my little Ima. I’m sorry about the photo gallery!

Ima and me in her backyard Las Vegas

This blog was inspired by a beautiful blog written by Josephine Penicott on the subject of mothers. See: www.talepeddler.blogspot.com/2010/02/chit-chat-wednesday-and-invisible

Avatar: Oscar Contender?

Feb 09, 2010

I finally made it to the cinema to see the movie that has people talking: Avatar. A spectacular sci-fi/fantasy action movie with an Aussie, Sam Worthington in the lead and the ‘King of the World’ director, James Cameron, at the helm.

I now see why it has people excited. Beautifully shot, using state of the art cinematography and CGI, it transports the audience onto the planet Pandora and into the lives of the indigenous population, the blue-skinned, ten feet tall, Na’vi.

The hero of the movie is a disabled, wheelchair bound marine, a ‘grunt’ named Sully who, in a decision based on economic rationalism, takes his dead brother’s place in a scientific research team. This means, he inherits his brother’s avatar – a ‘native’ grown from human and Na’vi DNA which the marine can ‘insert’ himself into. Not only does he have control of his inert limbs in his new form, but he finds a freedom with the Na’vi and on the planet that his military training (brainwashing) did not allow.

Instead of a patriarchal and capitalist system, Sully finds a culture in tune with its deity and nature – who are, in essence, one and the same. The environmental thrust of the movie is apparent; the significance of the female is too, not at the expense of the male, but working in tandem. Something Sully learns to appreciate. Romance flourishes in this fertile world – and not just between the characters. Audiences will find it hard not to fall in love with the world portrayed and feel protective about what is threatened. I also enjoyed the moral superiority of the scientists… doesn’t happen all to often in this genre!

Eyes and the notion of ‘seeing’ are strong motifs and themes in this movie and the central character, Sully, has his eyes opened to a whole new world – literally and metaphorically. So do we. Cameron’s planet, Pandora is a beautiful, lush place, imaginatively realised but, like its namesake from Greek mythology, its colonisation by humans with the intent to profit, opens a box of trouble…

Whether or not Cameron will win a Best Picture or Director Oscar for this film remains to be seen – no doubt, it will get some technical nods. It’s hard to imagine the Academy awarding a film that represents the military in such a negative light or uses the still raw memory of the collapse of the Twin Towers in an analogous manner to evoke a visceral anti-US response.

I really enjoyed this film. What did you think? (Oh, and I know that I am late seeing it – for health reasons – but I still tried not to put any spoilers in – I didn’t, did I???)

The Writer’s Ego: Coping With Criticism

Feb 05, 2010

A friend of mine on FaceBook prompted me to write this blog after she felt depressed about feedback she’d received from her writing group regarding a novel upon which she was working. She also felt a little guilty for feeling that way and was kicking herself because, feedback is what writers thrive on, isn’t it? It’s what we need in order to elevate our prose or whatever style we’re writing in to the next level.

Well, yes and no.

Let me explain. There are two types of feedback in this world and both involve the ‘C’ word. Of course, I mean Criticism.

The first kind is that delivered with knowledge and generosity – the knowledge springing from direct experience gleaned from the Critic being a writer and receiving feedback her or himself or from a deep understanding and love a literature generally or both. This kind of reviewer can be professional (as in reviewer is paid for their trouble) and published in newspapers, magazines, websites and other media or simply provided by a lover/fan/practitioner of writing and/or reading. the point being that none of these are mutually exclusive.

The second kind of review is that done with varying degrees of knowledge but most of all it is written with an ungenerous eye.

I know many writers and all of them tell me they have experienced both kinds. While a writer loves nothing better then a positive review, a negative review can be crushing. But it is the ungenerous, mean-spirited and destructive review that nitpicks and uses ad hominen attacks (attacking the person who wrote rather than the writing itself) that leave the worst kinds of scars and, frankly, I fail to see the point except to cause hurt and distress.

One very well known writer friend of mine tells me not to read reviews, that she doesn’t and therefore doesn’t know what’s said about her work (it’s usually always wonderful). But I am not yet ready to take that step. I wish I was. I don’t feel I am experienced enough to walk away from what might, buried in a review, prove to be a really valuable piece of advice or an observation that, whether positive or negative, should be paid attention to in order to improve future works. As a result, I do very occasionally get to read really ungenerous reviews. Interestingly, I can tell in the first line what kind it is going to be but, like an eavesdropper hearing no good about themselves, feel compelled to read on – just in case…

I am relatively thick-skinned when it comes to being criticised. I receive critiques all the time. As a newspaper columnist and feature writer, readers interact with my work on an almost daily basis. I receive feedback that makes me laugh, cry (in a good way), challenges, attacks me as well as some that makes me appalled that someone feels they have a right to make assumptions about me on the basis of an opinion or piece. One time, an article I wrote on Harry Potter caused a newspaper’s online feedback system to crash as readers around the world responded with vitriol to some of my points. They called me ‘sick’, spoke of the sympathy they had for my children for having such a mother, questioned my educational qualifications ‘What’s your doctorate in? Stupidity?’ and so on. These comments flew at me from around the globe and were a baptism by fire into the world of criticism. I was heartbroken and quite confused when what I had done was write what I believed was an intelligent, well-researched and humourous piece on what was fast becoming the Harry Potter phenomenon. And yes, my ego was bruised. The fact that I was able to respond with a piece entitled ‘I’m no Rita Skeeter,’ and the overwhelming lovely feedback I received and apologies, did a great deal to salve my wounds, but it also taught me a huge lesson in coping with not only the people who read your work and take it to heart, but the cruel anonymity of the internet. There’s also its immediacy to take into consideration, how anyone and everyone can now fire verbal barbs with the intention to make them stick or just as bad, without thinking…

As a result of this anonymity and speed I have, over the years via email mostly, been invited to burn in the eternal fires of hell, had my patriotism questioned, been told to go back to where I came from (I can’t, my mother is dead), had my sex and sexuality questioned and the list goes on. Strangely, those comments, which are more about me than my journalistic pieces, don’t hurt nearly as much as those which are directed at my creative writing. Hence, I understand exactly where my friend is coming from.

Doing my Ph.D. was an exercise in learning to write for a critical audience as is writing scholarly articles and having them ‘blind-reviewed’ by three peers around the world. Comments such as ‘ugh’, ‘point so lost it couldn’t find its way out of the London Underground’ and so on were relatively common. Even so, I only ever had one article rejected and that was in the first year of my PhD. So, I did get used to harsh comments.

But still, the ungenerous ones stand out from the crowd in a way that tells a great deal more about the reviewer than the piece he or she is critiquing.

Writers, regardless of what genre or for which audience they’re writing, labour over their words, even those writers, such as journalists, with strict deadlines and word counts. What might appear rushed, is generally thought out and edited heavily before someone else gets to fiddle with it and well before the public read it. All angles are deliberated (even if a particular approach is directed), and rejected or embraced. What can appear slap-dash, rarely is – even if it does invite that kind of criticism.

However, when we’re talking about a novel, a completely different set of skills and effort are applied. Generally, time works in the writer’s favour (though not always) and they use this wisely-ish. Every word, sentence, paragraph, character, theme, plot is highly developed and lovingly written and rewritten. What to include, what to exclude; where to allow the reader a breather, where to pick up the pace, where to use prolepsis (foreshadowing) and analepsis (flashbacks) are all are agonised over long before the work ever gets a public guernsey. By the time it reaches publication, all this has been mulled over and rewritten and edited at least hundreds of times and with the aid of professional editors, copy writers and so on.

But the truth is, no matter how much work you put in, it’s never perfect, it will never satisfy everyone – look at works that have sold millions and won accolades around the world. J.K. Rowling, Stephanie Meyer, Dan Brown, even ‘untouchables’ such as J.R.R. Tolkein, Cormac McCarthy and Annie Proulx, receive criticism. Why shouldn’t us ‘lesser’ souls? And we do.

But again, it’s the way the critiquing, the feedback, the review of the work is done that is so important. Most of us can accept that some readers (hopefully, only some) will not like what we’ve written and that’s fine (it’s even better if they keep it to themselves!), but if a reviewer has that reaction (though, I never understand why some media pick people to review genre work who have no experience in the genre! I remember, years ago, a review of one of my books beginning this way: ‘I didn’t like this book, but then, I hate fantasy…’ Go figure. But that didn’t stop them reviewing it – they were doing the job they were paid to do). We can also accept, as my friend did, the well-intentioned advice and observations of people we trust to provide honest, constructive feedback, the kind that comes from a position of goodwill with the motive to help us make our writing the best it possibly can be.

But it’s the destructive, nasty reviews that are hard to take. It’s as if the reviewer takes to heart the notion that critiquing is ‘criticising’ – fault-finding and nit-picking and little else. I mean, I’m sure if we all looked long and hard enough, and examined Mother Teresa and Ghandi with that kind of attitude, we’d find fault as well. But what does it achieve? To read something through the lens of ‘what can I find wrong with this? What flaws can I point out? What mistakes has this writer made? What do I NOT like about this book?’ is not helpful for anyone really. I imagine that it gives that kind of reviewer a sense of power. But over what? Some poor author who has invested a part of their life (and usually their family’s as well), heart and soul into a work of which they’re very proud. And then someone comes along and sinks the boot in – not in a way that is useful, but which is designed to bring that big-headed writer down a peg or two, because of course, anyone who is published must have a huge ego.

Well, maybe one or two do, but in my experience, most writers are quite humble souls who beaver away in solitude, lost in their imaginations. And they tremble at the thought of reviews and reviewers. Hence, they can potentially fall apart at the first sign of criticism – especially vile, toxic criticism. But guess what, they also pick themselves up again and keep going. That’s because they can’t help themselves, they love what they do with passion.

I’m not suggesting that reviewers go easy or soft – not at all! But that when they’re writing they weigh up the pros and the cons and try to point out the good and the bad. Because as the adage goes, one person’s trash is another’s treasure – ever heard of Twlight? That series polarises people faster than a compass finds Magnetic North.

So, I really do understand my friend temporarily floundering under criticism that was generously given. But I admire her for taking it on board and using it in the way it was delivered, to make her work stronger and more appealing. But I also understand why my other friend doesn’t read reviews. The ungenerous ones serve no purpose for writer or reader, rather they do little more than diminish both.

You know, writing a book is like having a baby. It gestates for months, if not years, before being born into the world. But the difference between writing and having a baby is that, while no-one will criticise your human baby to your face, when it comes to your creative one, there’s lots of bastards out there who delight in telling all and sundry what an ugly baby you’ve delivered!

What do you think?

Life is NOT a competition – but try telling that to RTV

Feb 03, 2010

I’ll be upfront and warn you that this a bit of a soapbox post (aren’t they all). Seriously. As a teacher and commentator in and of the media, I try and give most shows a try – good, bad, pathetic and thrilling. At least, that’s my excuse for watching far too much television.

It occurred to me lately that with the plethora of RTV (reality TV) shows soaking up screen time (and more set to come), there’s been a shift of emphasis in the overall thrust of the shows. Whereas once they were referred to as ‘fly-on-the-wall documentaries and may have been able, in their initial heyday, to wear that badge proudly (even while deploying aspects of other genres such as soap opera, drama, mockumentaries, comedy and game show characteristics), lately, they’re reduced to little more than competitions.

Now, I’m not talking about your benign Deal or No Deal, RockWiz, Einstein Factor or Too Stupid to be a Millionaire, which are what you see is what you get competitions, or even of the Surivivor, Idol, talent shows or Race Around the World mould. No, this latest batch, brewed over the last four years or so, take competition to new and scary heights.

Instead of drawing on game shows for inspiration, they draw on life and turn it into a game show apropos Death Race 2000: families, relationships, renovating, cooking, travelling, entering countries, courtship and even child-raising (nothing is too important or insignificant) have, through the genre of RTV, become competitor-based. What these programs do by using a ‘winner takes it all’ scenario, is transform the daily grind of life into something, not only far more interesting than it generally is, but also try and persuade us that it’s all right to turn every miniscule second of our realities into dramas with us at the centre or, at the least, into drastic problems that need to be solved. Don’t have the right cheese for your sauce? OMG! Tears, tantrums and abuse are appropriate responses. Mum didn’t get the dress you wanted to wear clubbing dry-cleaned for you? OMG! Tears, tanties and tons of abuse are perfectly acceptable things to hurl at your parent.

The RTV programs seduce us into believing that the minutiae of daily life, our lives, is not only interesting, but so is that of others. And, they do this in the worst possible way, by setting us against each other, as if life is a race that has to be won. You want to be a winner and not a loser, don’t you? They reduce the world into binary opposites of hot/cold, hero/villain, sexy/ugly, smart/stupid, manipulator/manipulated etc. All the time making it clear which side ‘winners’ should be on who, at the least, it’s appropriate to champion.

Of course, the ‘winner’ accrues certain rewards – fame, notoriety, presumably money and a boorish and quite horrible reputation. But many people are thinking that’s a small price to pay if you’re ‘famous.’

Take for example these shows: Firstly, Come Dine With Me, Australia and My Kitchen Rules. Ostensibly about cooking and sharing food with those who consider themselves gourmands, it pits couples or, in Come Dine With Me, Australia, single strangers (or strange singles) against each other in what is transformed into a dog-eat-dog attack fest. Invited to dine together and pull apart the thought and effort that the cook/s have gone into, it turns that all-time favourite between friends, into a competition. It encourages us all to become critics and, like some book and film reviewers, approach the experience with an ungenerous eye and with the primary goal of fault-finding.

Sharing food with friends and strangers has, across many cultures, been a traditional and significant part of the guest-host relationship and a way of breaking down barriers, forging relationships and above all offering pleasure and love through preparing, cooking and partaking in a meal together. These kinds of shows completely overturn all this and make it something superficial and tasteless… but also, and here’s the difficult thing, compulsive viewing! By turning the act of meal preparation and eating into a competition, the viewer also judges the efforts and results, critiques and awards a ‘winner’. The side effect of this is, potentially, that this kind of way of viewing food and dinner parties can be brought across into reality. Come Dine With Me and let’s have a food fight….

Then, there’s also shows that are touted as offering a glimpse into various types of relationships, whether it be The Real Housewives of Orange County, The Hills, or the new kid on the block, Dallas Divas and Daughters. What all these programs have in common is groups of women (and some men) who are shown doing little more than pitting themselves against each other in terms of material possessions, income and relationships and who spend a great deal of every show sinking their claws into each other and agonising over superficial issues. They show the worst side of women and men and in doing so tend to suggest that this is what women and men of that age, area and culture are like. While, logically, we know this to be untrue, at another level, the stereotypes these shows construct become imprinted, making it easy to become critical and dismiss all women from Dallas, for example, as being like that; or all young women or men as vapid and narcissistic. They homogenise and reduce people – diminish them in every one’s eyes – and for what? Ratings, which equal money. As viewers, we’re invited into these so-called lives to also offer judgement, the harsher the better and the more it’s likely to keep us engaged and discussing them.

That people are prepared to appear on these shows and sell their lives and souls so publicly seems extraordinary. Since Big Brother first debuted in Australia in 2001 and at different times in different parts of the world, never mind, Survivor, our knowledge about editing and cutting and the way a producers and directors can control what is finally televised and the way a personality is shaped, is growing. We can no longer, whether audience or participant, plead ignorant as we understand how there has to be a ‘villain’ or ‘bitch’, a ‘hero/ine’, a ‘bimbo’ and even an physically unattractive character so the audience can relate to the various roles and the way they are played and the people who fulfil them. There no ‘shades of grey’ in these shows. They juxtapose reductive types and limit representation in the process.

Despite possessing this knowledge, contestants queue to be on these shows, to attain ‘stardom’ even if it’s blighted by the ‘villain’ reputation – this is because it accrues those rewards I mentioned earlier. Even if they are brief and a heavy price is exacted. In this celebrity-obsessed world, it’s considered a small one. All for the sake of trying to be perceived as number one, a winner, a star, in other people’s eyes.

Rarely are anything but superficial interactions discussed on camera. Usually, the only emotions portrayed are reactions to others comments or responses to trite situations – such as a meal being cold while really important discussions like having a baby (see The Hills), are shared with girlfriends instead of the husband and cheapened dramatically by also being turned into a competition that, in this instance, pits wife against husband. It’s tragic.

I don’t know where these RTV shows are turning next, but I do know that life is not a competition, rather its a story that we all write together – with its highs and lows and ups and downs. It’s also something we share. I can’t help but think of that old adage, ‘it’s lonely at the top.’ I am sure they’ll make an RTV show about that all too soon…