I was drawn to write my column this week on this topic because of something Australian Today show host, Karl Stefanovich said during the segment “Girls on the Grill”. Discussing the recent Tom Cruise/Katie Holmes split, he made the observation that he didn’t know a single bloke who was interested in this story. That comment served to get me thinking. I initially bristled, but then I started to wonder if it was true and then try and balance the positives and negatives of women’s (or men’s or both) intense interest in the lives of celebrities. There are many more reasons than I came up with - and I did only have just over 700 words to get my point across! Yes, that’s a defense
The published piece is here if you’d like to read it, otherwise, the unedited version is below! Would love to hear your thoughts as well!
When discussing the recent split between Tom Cruise and Katie Holmes, Today host, Karl Stefanovic asked why didn’t he know any men who cared about this story.
The implication being that interest in celebrities, their lives, marriages, divorces, children, hopes and dreams was firmly women’s fodder.
Frankly, men don’t give a damn.
Is celebrity gossip something that one sex is exclusively, if not genetically, programmed to heed?
While I wanted to deny that women are the main consumers of all things celebrity and the minuscule trivia of their often-vacuous lives, it was hard.
Celebrity business caters to a largely female audience – you just have to look at the content of major women’s magazines for evidence.
Not that all women relish it.
Celebrity gossip has become not only an industry; sadly, it’s a significant proportion of what passes for real news these days.
There are dedicated news segments, entire shows, magazines, books and websites, never mind careers (spin-doctors, handlers, consultants, PR experts, photographers etc), built upon and reliant on the ever-grinding mill of celebrity gossip. Professor Graeme Turner from the University of Queensland describes it as “the celebrity-industrial-complex”.
As Todd Leopold from CNN.com
writes, “like any capitalistic enterprise, [it] only exists as long as interest continues.”
Superstar scandal, when reported, attracts the greatest amount of commentary, emotional investment and online bile – and not just from women.
Journalist and author, John Birmingham, in an article on the changing media landscape last month stated: “most readers are less interested in hard news than they are in complete tosh… A story about a celebrity wardrobe malfunction, especially if it comes with images, will totally bury an item of reportage about, say, hospital closures, or waterfront industrial action, or a review of defence policy or legislation for plain packaging on cigarettes.”
Is this women’s fault alone?
There’s a huge drive by vested groups to persuade us that celebrity stories are not only worthy of attention, but possess intrinsic value – even when a great deal is manufactured to protect and generate sales of a related product (an actor’s movie, book etc.).
While it’s easy to dismiss celebrity gossip and our apparent insatiable appetite for it, it’s useful to try and uncover why this plays such a significant role in our media-driven society and, apparently, women’s lives, and examine if it’s harmless or toxic.
Firstly, discussing celebrities not only functions as a moral yardstick by which behaviour can be monitored, thereby letting others know what’s acceptable and unacceptable among a group and within wider community circles, it’s a safe way to police social and personal boundaries.
If someone you’ve just met loves a celebrity, TV show, or film (or politician) you loathe, or vice-a-versa, you’re given a swift insight into whether further contact – digital or real life – should be avoided or pursued.
Secondly, celebrity gossip is also an anodyne social lubricant. Talking about a celebrity – whether it be they way they look, act, their relationship or parenting, creates a universal language and can serve as an ice-breaker in communal, professional and cyber-situations – hence the importance of “water-cooler gossip.”
Thirdly, and pro
blematically, celebrity gossip tends to focus on domestic issues and appearances, long constructed and naturalised as the realm of “women’s business.”
Reinforced through a variety of cultural devices, such as women’s magazines, this gender exclusive space where celebrity tales reign, legitimates and prioritises concerns that were once dismissed as insignificant – those that centre on home-life.
Discussing celebrities also reminds women that their priorities lie in private space and in keeping their partners happy – whether it’s through appearance, sexual performance, food, how the children behave, or how they maintain hearth and home.
It’s reductive and anachronistic.
But it also provides stories of women (and men) who break the rules, are indifferent to various social stigmas and not only survive, but thrive. Some examples are successful adoptions, gay stars, single parents, and those who experience divorce, loss, grief, disease and myriad other issues.
In this way, it’s liberating and affirming.
The pervasiveness of this culture and its attendant gossip is such that it doesn’t matter whether you’re a man or woman. We can’t complain about or dismiss it so long as we maintain such a high level of interest and passive involvement.
Anderson Cooper, journalist, author and TV personality sums up most people’s feelings when he states: “The whole celebrity culture thing – I’m fascinated by, and repelled by, and yet I end up knowing about it.”






Even 42-year-old Jennifer Lopez’s video, “Dance Again”, doesn’t incite shock so much as it does a yawn. And that’s a pity for while its lyrics celebrate the elation that comes from loving again after heartache, and the beat is joyous, the clip features an orgy of writhing bodies and limbs, close-ups of the singer’s famous derriere and a carefully choreographed “love scene” with her new beau, 24-year-old dancer, Casper Smart.
ge has nothing to do with it really, there’s just something so unsexy and derivative about trying so hard. Rhianna, Ke$ha, Miley Cyrus, are the same.

you to pick out your own earrings?”



Book Review: Destined to Play
Jul 16, 2012
I have to admit something before I review this book: Indigo is a friend of mine and I have followed her exciting and short road to publication with great interest while shouting support from the sidelines and I am so happy for her. She is so lovely and has worked hard on this (written well before E.L. James became a sensation). OK… My conflict of interest is declared
Now, I have another confession to make – I’ve not read Fifty Shades of Grey, the book to which Bloom’s is compared. I also don’t think I ever will. But, I have read Destined to Play amd I read it in one session because I simply had to know what happened.
But before I proceed with my review, I just want to say something about the whole “erotica” thing – as in, erotica, as a genre or as an integral part of a novel has been around ever since Trimalchio first had his dinner party (and even earlier). From Greek writers to the Romans, to Marquis de Sade, the Victorian writers and plenty since, there has been erotic and pornographic fiction. What I am struggling with at present, is the way the “sudden” interest or mainstreaming of erotica is being represented in the media. Terms such as “mummy” or “mommy porn” are being bandied about and female readers are referred to as “desperate housewives” (as they were in a Today Tonight story last week). There is this need to somehow “tame” this interest, control it by corralling it with the use of pejoratives or reminding women of their real role – their biological imperative as mothers, the fact they belong in domestic space, thereby softening their desires and the pleasures they receive from reading erotica and the potential threat to domestic peace this arousal and interest may cause. There’s also been a need to infantilise the interest and the terms used to describe both the readers and certainly the much-touted origins of Fifty Shades reveal this. The fact it started out as Twilight fan fiction, the way readers are often shown as giggling and flushed, like women of the Victorian era who suffered hysteria and were masturbated to orgasm by doctors to make them feel better – yes, really. It’s as if these erotic books are legitimised dildos so we can “get off” and then get back to the important things in life – our “real” purpose as women. The fact reading these books is giving our male (or female) partners pleasure is also emphasised. They serve a purpose after all – it’s what female readers do to others that is ultimately the most rewarding things about these books and why they’re tolerated and promoted – they are constructed as medicinal; as literary relationship therapy!!! The salve to passionless relationships, to putting heat back in the bedroom. Puhleez! It’s been amazing to watch the way, yet again, female sexuality is seen as a cultural threat that needs to be contained, suborned and, above all, controlled. Women do actually enjoy sex and reading about it- they’re curious, sensual and delighted that with the renewed interest in this genre and its mainstreaming, they can openly discuss these desires and more.
That’s one side of the erotica coin. The other that bothers me is two-fold. One is that these books so often feature women who like to be controlled by men – who surrender their agency to a man for his and, sometimes, hopefully, their own pleasure. I find that the most confronting and confounding thing about these books – I don’t get that aspect. But because they’re fantasy and sexual fantasies particularly are all about taboo things and meant to break cultural, sexual, gender and social boundaries, I can deal with it – I don’t have to like it though and that says more about me and the milieu I grew up in the influences around me. The other thing that annoys the hell out of me is that with the popularity of Fifty Shades, we’re now seeing a race to publish as much erotica as we can to grab the readers’ dollars. Publishers are falling over themselves to grab the next EL James. Fine. Go for it. Only, I don’t want to see what happened to book shop shelves with Twilight happen again, but I fear it will. Where once there was a variety of books and genres for readers, we will see sections dedicated to erotica and our choices will be limited. There will be a sex glut. Just as entire section in stores have given over to vampire/paranormal books. On the upside, there’s been some wonderful authors come to light, on the downside, there hasn’t been and haste and the drive to meet a market before it moves on to the next big “thang” has been sacrificed for both quality and variety. As a writer and a reader I despair. Please, let’s not see bookstores fill with erotica at the expense of other great books and their writers. Let’s keep quality over quantity and preserve reading culture.
Rave over. Now for the review
This novel,
Destined to Play, the first in a trilogy, tells of Dr Alexandra Blake, mother of two who lives in Tasmania in a stable but fundamentally passionless marriage. Flown to Sydney for the beginning of a few days of lectures and presentations (including one to the AMA), Alexandra’s family are conveniently dispatched to the Tassie wilderness for the duration. In Sydney at the beginning of her tour, Alexandra arranges to catch up with her best friend from university and former sexual partner, the wealthy, smoking (as in divine) George Clooneyesque, Dr Jeremy Quinn – a world leader in his field. When they meet, the old sparks ignite and Alexandra is quickly consumed but, when her former lover proposes that she surrender herself to him for forty-eight hours, leaving every decision to him, trusting him completely, Alexandra finds herself at the centre of a sexual adventure like no other and the subject of an experiment that challenges her erotically, physically, emotionally and, above all, psychologically.
While the sex is graphic and charged (as expected in this genre) what interested and challenged me as a reader most (and this is a huge credit to Bloom) is how an intelligent woman, consumate professional who has a fabulous reputation, who is also a mother and wife (therefore has responsibilities) could surrender herself so readily to Quinn. I struggled with this… But so does Alexandra, and it’s the internal,dialogue she continuously has, as well as her vacillation between the depth of her physical and intellectual responses to Quinn particularly that make the book so fascinating. Just as we wonder why she is allowing things to continue, so does Alexandra. Just as she desires answers, so do we. Taken on this dark adventure with her, we are left anxious, breathless and on edge. Playing Alexandra might be destined to do, but a game has never been so dangerous… Something the final pages of the novel makes all too clear.
Issues such as trust, sensory perception, doubt, anxiety, depression, sex and sensuality are all explored, as are the limits to which a body and mind can be brought. The book certainly pushed me out of my comfort zone, not becuase of the sex – I have read much more graphic material – but because I found it difficult to deal with a woman surrendering so completely to a man under the circumstances that Alexandra does. I also found the manipulations of Quinn to be disturbing even though his notion that motherhood and female sexuality should not be mutually exclusive appealed to me.
This is a book that will, i’ve no doubt, generate a great deal of discussion and be quite polemical. Just what an author wants. If you like erotica or books that challenge you, read this!
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