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Book Review: Broadcast Wars by MIchael Bodey

Jan 18, 2012

Perhaps it’s because I am officially a professor of media studies (for a little while longer), or perhaps it’s because I love books that explore the politics, personalities and powers that lie behind huge corporations, or perhaps it’s a mixture of both. Whatever the reason, I thoroughly enjoyed Michael Bodey’s Broadcast Wars.

As a respected media and film journalist with years of experience, Bodey is well-placed to cast a critical eye upon Australia’s major media players. While the focus of the book is primarily on free-to-air (FTA) networks and then, mainly channels 7 and 9 (though 10 comes into its own towards the end of the book), the book also delves into the national and international relationships and businesses, as well as the politics and policies, including those that inform pay TV, that make up TV in Australia.

Bodey discusses both unfamiliar (to general readers) government and internal policies and behind the scenes machinations as well as the general day-to-day business that when all is said and done, culminates with what viewers consume on screen. In this regard, the purchasing of series, films and basic programme packages at home and abroad is explained – so is why some shows, despite our interest in them, are pulled from air after only a few episodes, and why others are given more than a fair chance to find their demographic. The chutzpah of some of the production companies is mind-boggling and quite wonderful – but how particular shows even get to air, the salesmanship and favouritism, never mind the risks that are taken, is also fascinating. Sales meetings, private ones and the relationships between Australian networks and their international partners are all there and are very interesting to read about.

However, what really makes this book is Bodey’s no holds barred examination of the toxic personalities behind the screens – the CEOs of 7 and 9 especially. From the indomitable will of Kerry Packer and his beloved Channel 9, to the seeming indifference of James and the seething purposefulness of Kerry Stokes, the abusive and cocky CEO of 7, David Leckie, who’s idea of people management was to shout, scream and demean them – often in public – it’s sometimes, jaw-dropping reading. Drunken antics and threats, secret meetings and promises, the poaching of star personalities from one channel to another, it’s all there. So are some of the more infamous moments in contemporary television – such as the ‘boning’ of then Today co-host, Jessica Rowe, the rise of Eddie Maguire to 9′s CEO, the Beaconsfield miners’ story, the good behaviour and the bad of various media personalities and shows, and how the stations were perceived over that, the ‘turkey slap’ incident on Big Brother that everyone from the Prime Minister down calling for Big Brother to be taken off air – it’s all there and Bodey explores these more salacious pieces of information with seriousness but without spoiling the effect that you’re being given not only some wonderful gossip, but a fly-on-the-wall access to the big personalities and machinations that keep our TV stations humming.

He also discusses the lack of understanding that executives from FTA (but not, it seems subscription TV) had/have about HD TV and multimedia platforms – amazing in this day and age where interactivity and cross-platform media is so embedded in daily life.

At the heart of the book, however, is the ascent of 7 at the expense of “still the one” channel 9. From the rise of Sunrise (which became known by the media pack at Beaconsfield as “Scumrise”), to their luck in buying both Desperate Housewives and Lost when there was a lack of depth in their programming, to all the problems with the personalities on Channel 9′s morning show, Today. There’s also the tale of how 10 trumped many of the stations with the 16-39 demographic through what we call reality TV with Big Brother, Australian Idol and how Channel 10 took the biggest gamble with a show about, of all things food – Masterchef – a risk that paid off and continues to do so.

If you enjoy your TV and want to understand the people who bring our beloved and loathed programmes into our living, bedrooms and onto our mobile devices and what makes them tick, then this is the book for you. Full of information and richly entertaining, I found it hard to put down. My only criticism (apart from a little repetitiveness as some of the chapters cover similar territory – the book is not linear and I feel it might have been better had it been), is that there is no conclusion. The last chapter ends with literally a two sentence flourish that, I guess, is meant to be the summary. Pity, I would have liked Bodey to inject his wit and insights one more time and felt the book would have been even better for a few more pages. But then, it also begs a sequel in a few years, doesn’t it? Because if one thing is made clear, a battle may have been won, but the broadcast wars are not over.

Book Review: American Gods by Neil Gaiman

Jan 17, 2012

What a remarkable, haunting and all together different book this is – not that I should be surprised about that considering the author. Not knowing what to expect and, frankly, not being enamoured with the title (though Gaiman’s work is another matter), I picked it up and was hooked from the first page.

American Gods tells the story of ex-con Shadow who, on his early release from prison, is coerced into taking a job as, fundamentally, an errand boy for the mysterious Wednesday, an old grifter who makes the impossible possible and who, it seems, has enemies in abundance. Claiming to be working towards averting a war, Wednesday takes Shadow across and into America – both as we know it and as a country all together different. Shadow, with little to lose and nothing to gain, obeys Wednesday – especially the tenet to not ask questions. Nonetheless, Shadow finds questions arising and answers lacking as he encounters the normal and paranormal; as his life takes one fantastical twist after another. Learning quickly that Wednesday is what he seems and more, Shadow understands that the war he is plunging headlong into has been building for millennia and, as hard as he and Wednesday and their peculiar allies might seek to avoid it, the clash between those he now realises are gods is inevitable.

This summary of the novel isn’t accurate – it cannot be without giving too many spoilers. It is unapologetically basic for this book is multi-layered, rich and complex and is based on the wonderful premise that we invent gods into existence – literally and metaphorically. They are intrinsic to the human condition – suffering many of those as well. They may not always resemble us physically, but they do carry the flaws and foibles of humanity, only in god-like proportions. Gaiman also introduces a world-wide pantheon of beings who, like the immigrants to the US bringing their gods to their new hearths and using them to help make the unfamiliar familiar, also recall their country of origin and those who once worshipped them, giving them shape, power and a future. But, as generations pass, and refugees, immigrants and their children assimilate into the new culture, so too do the old stories and memories which breath life into the gods – they change and alter and the gods as they once were both fade and transform. Struggling to latch onto the little they do have and those who remember them, the gods’ existence is tenuous, especially in a land where consumerism reigns supreme. But all is not lost, despite evidence to the contrary and Wednesday embarks on a final quest to reunite the old and vanquish the new…. or does he?

As Shadow undertakes his wild and uncanny journey, so do we, into a heartland at once immediate and ancient. Where those once worshipped struggle to have both identity and meaning in a world fast being overtaken by the new gods of technology and materialism.

American Gods is a tour de force. It resonates long after you finish the last page, the characters and the many tales (Gaiman also has these wonderful overtly unrelated to the major plot chapters that stand alone and with the novel, which just add depth and poignancy to the tale), lingering in your mind. As a protagonist, Shadow, as his name suggests is apt to loom when others shine most brightly, but he also hovers over the action, strong, silent and on guard. His slow awakening and understanding of his role and the meaning behind the war is powerful and heart-wrenching.

This won’t be everyone’s cup of tea, but I am so glad I read it and I understand why this book has attracted so much acclaim and made its way onto top 100 lists etc. 41/2 out of five stars.

Book Review: The Affair by Lee Child

Jan 17, 2012

For various reasons, I took a while to get around to reading the latest offering in the Jack Reacher series by Lee Child and I think the gap in time didn’t do any harm. As a holiday read, The Affair is perfect. Short, sharp sentences, silly clichés and high-adrenalin action, it is a great way to while away some hours, plunging into Jack Reacher’s impossible life.

This book takes regular readers back a few years to 1997, to Reacher’s last mission as an MP. Sent to play second fiddle (or is he?) in an investigation of a murder that occurs in a remote US town whose main claim to fame is it’s the location of a training camp for Rangers and some black ops, Reacher’s role is to help discover whether the murderer is military or civilian.

Throw into the mix a gorgeous Sheriff, some over-weight yokels, a force of civilian gun-happy militia, machinations in high military and political spheres and a town about to implode, and you have the ingredients of a page-turner. But when the body count starts to rise and evidence that points in an unexpected directions surfaces, then the games really begin.

Vacuumed up this tale. Turned off the brain and logic and really enjoyed it!

Book Review: 206 Bones by Kathy Reichs

Jan 17, 2012

I had Kathy Reichs’ 206 Bones sitting on my Kindle for ages before, being on holidays, and enjoying fast-paced books and doing a bit of a catch-up, I decided to read it. It’s been a while since I indulged in a Reichs and, frankly, it may be again. It’s not that I didn’t enjoy this story about Tempe Brennan and her fraught relationship with Ryan as she tries to solve various murders (mainly two cold cases), I did. But how many times can Tempe have people wanting to sabotage her career – or worse, hurt her? According to this series, many times. I think Brennan and Scarpetta are two of the most hated women in fiction if the record of attempts on their lives are anything to go by! I would suggest they leave North America and go and live in the UK, but they’d probably end up in fictional Midsomer or with posts at Oxford University and we all know what happens in those places!

These kind of ruminations aside, 206 Bones (the number in the human body) is told in flashbacks as Brennan wakes after clearly being kidnapped and assaulted or the other way around. As we follow Brennan’s uncanny recall of the events leading up to her waking buried alive, we are again shown her brilliance, her desirability and her prickliness (which should, one would think, counteract the latter: apparently not). I felt this story was a bit too didactic and self-conscious in its deliberate attempt to pack scientific information into the narrative. While there is a (subtle) plot reason for all the anthropological accuracies, at times it also detracts from the tale by slowing it down. I also found the novel a little repetitive in parts. Nonetheless, it was a very good read for the holidays and I am glad I saved it till then. 3 and a half stars out of five.

Book Review: Storm of Swords George R. R. Martin

Jan 17, 2012

I thought since I managed to read a number of books in the lead up to Christmas and beyond and having reviewed most of them on Goodreads (a great site that you should join if you haven’t already!), that I would reproduce these for my website as well. So, here goes! Love to hear what you think of the books I review as well.

I started this book with high expectations, picking it up after having just finished book two and being unable to bear even a pause in the saga that is the Song of Fire and Ice. Well, those expectations have not only been met, but exceeded, as Martin takes the reader further into the machinations of the major houses of the Seven Kingdoms and the lives of the characters that dominate this violent, passionate and dark tapestry. In this book, we follow mainly the story of Caetlyn, Rob, Sansa and Arya Stark, Stannis Baratheon, Tyrion and Jamie Lannister as well as Dany Stormborn and her quest to build and army and return to the West and reclaim her throne. Other characters are introduced, all of whom add depth and complexity to this amazing tale. The struggle for power continues as Kings clash, alliances are forged and broken, marriages arranged and people betrayed. The Wall is under threat and the Nightwatch greatly diminished… Can the Kingdom be saved or will internecine strife tear it apart before the enemies from beyond the Wall become a reality? All these questions and so many more are posed and, as is the way of this series, partially and marvelously answered.

The pace is relentless, the twists and turns are mostly unpredictable (though when they are predictable, the story does not suffer). If I had to offer a criticism, it would be that the huge cast of characters is sometimes unwieldy and there are times when descriptions of minor characters (eg. The names and details of all the gentry who offer alliances to the various men claiming kingship) don’t serve the story and instead weigh it down. However, you could also argue that the very same thing adds layers and verisimilitude to this wild and wonderful world.

What I particularly love is Martin’s fearlessness when it comes to plot and sacrificing beloved characters to stay true to the narrative. Stunning and unexpected, these moments add a delicious frisson and, as a reader, put you on the edge of your seat for, just as you thought you could second-guess Martin’s intentions, and even relax, he proves you wrong.

Fabulous volume… I went straight to the next one and was even more impressed with what I found….stay tune for that review – only I have read about a dozen books in the interim…:)

A Clash of Kings: George R. R. Martin

Dec 08, 2011

Follow-ups novels to successful first ones are tricky beasts. Having set the bar and thus expectations high with Game of Thrones, it was always going to be difficult for George R. R. Martin to satisfy hungry and demanding readers who fell in love with the intricate world and in-depth characters of the Seven Kingdoms and beyond. The good news is that Martin does not disappoint, nor does he compromise his standards. On the contrary, he not only meets but exceeds anticipation as he dives once more into the world and wars of the Starks, Lannisters, Baratheons and Targaryans (however it’s spelled – sorry), the Night Watch, the Wildings and the Others.

Commencing where the action finished in Game of Thrones, the reader is once more swept along in the battle for supremacy between warring sers, lords and their various factions. Only, where there was once a single king under which to rally men, lands and armies, there are now four at large in the Kingdom – a Kingdom divided, afraid and, as war creeps into every corner and power is continually contested, fraught with danger and the plagues of broad-scale conflict: famine, disease and petty crime – particularly in the city where death and destruction come from within as much as from attacking enemies.

Martin uses the same shifting points of view to tell this tale as he did in the first book and we jump from Bran, to Catelyn, Theon, Tyrion, Danys and some other characters as well, allowing us greater insights into their motivation and personal weaknesses and strengths. So fine is the writing and so skilled is Martin that while it’s sometimes a wrench to leave a character, you soon segue into a different mindset with ease and plunge into his or her story feeling bereft when you are momentarily pulled away again. Sometimes the action from one chapter to the next is parallel, other times, it occurs in a different zone and time, but not once do you lose the pace or sense of urgency that haunts these pages and keeps you reading.

Martin’s world is a dark, corrupt one where spirituality and secular power both collude and collide and where no-one is safe – not a warrior knight, a beautiful queen, an innocent peasant, a loyal maester or even a child. He exposes war and the struggle for hegemony for what it is: ugly and damaging for everyone – the lower classes particularly, who suffer the whims, machinations and anger of their overlords, though the mighty are not spared hardship or heartache either.

Unrelenting and fabulous, I highly recommend this second book and, having already jumped straight into the third, I know the standards are just as high and the narrative equally compelling.

Game of Thrones: George R.R.Martin

Dec 08, 2011

I read this book many years ago, not long after it first came out and remembered being awed by its scope and the dramatic and realistic flair of the writing. Of course, the passage of time can sometimes alter the way you feel about things – especially genre books. Usually, because you’ve read so many more in-between and educated yourself about the style and tropes that are used, expectations are raised. When I heard there was a TV series based on Martin’s books, I was a bit dubious and, I confess, watched it rather reluctantly at first – but not for long. The series, by HBO, was visually stunning and superbly acted. It’s fabulous to see fantasy being taken seriously for a change on the small screen (I know there are examples that do – but most are film. Few TV shows do honour to fantasy except in a kitsch fashion – I am thinking of Hercules and Xena here and excluding the fantastic True Blood which deserves it’s own paean).  On the contrary, this series persuaded me to reread the book – partly to test its appeal again, but also to see how closely the show stayed to Martin’s original vision. Well, in terms of the book and its initial appeal, none has been lost. Once again, I was drawn into Martin’s fantastically realised world with its liege lords, Banner men, dire wolves and the central families: the Starks, the Lannisters, the Taegaryans (however you spell it – sorry!) and the jostle for power that’s described as the Game of Thrones.

When I first read the book, I found the concept and place that remained with me was The Wall and the black-garbed men, the NightWatch, who swear an oath to protect the realm from the Others – the creatures who roam north of the great dividing barrier. Yet again, I was struck by the imaginative scope of such a place and those who dwell within its icy, remote grip and the culture they’ve created. Likewise, the horse lords, the Kalesi, and his bride, the disinherited Danys, were wonderfully drawn. But so are the castles of Winterfell, Kings Landing and the politics and inter-relationships that govern the realm comprised of seven very different kingdoms. Of course, Tyrion, another Lannister, would have to be one of the most memorable characters created: wise, witty, world-weary – he’s someone you initially loathe and champion – the latter becoming the default reaction.

This is such a powerful story that is full of machinations, twists, turns and bloodshed but always underpinned by human relations. As such, it really is a stand out addition to the historical fantasy genre. The TV series is also marvellous and stays true to Martin’s vision, so much so, swathes of dialogue (and his dialogue is rich, offensive, real and engaging) appears in the show.

A terrific book that initiates a wonderful saga. Unashamedly love it and the show – in fact, the theme song is now my ring tone.

The Drop: Michael Connelly

Dec 04, 2011

I have to admit, when I first picked up this book and read a few pages, I wondered what the hell Connelly was doing: breaking the cardinal rule of creative writing, he commenced this 16th Harry Bosch book by telling, not showing. The opening narrative, while utterly readable and interesting, was also didactic: pure and simple. For a few pages, he painstakingly explicated the background to the cold case or unsolved operations unit of which Bosch is a part. I was surprised and wondering where on earth Connelly was taking his readers….then, Harry Bosch, a mere 32 months from retirement appears and all is right (or not) in planet Los Angeles. The opening pages and their tone suddenly made sense and I settled into the narrative like a pair of comfy shoes – as cosy as a pair of sneakers with razor blades embedded in the sole would be, that is, for if there is one thing a Bosch book guarantees, it will keep you on your toes. The Drop is no exception.

This latest adventure in Harry’s life plays on the title very well. The D.R.O.P refers to the extended work time given to cops whose experience and skills mean they are too good to retire and they are granted extra time- up to five years – may the force be with you and all that. Harry is part of the cold case unit and is on this, to employ a cliché, borrowed time. He also draws an unsolved case from twenty years earlier where a drop of blood, or smear on a victim’s neck, threatens to overturn DNA evidence. Simultaneously, he’s ordered, through the ‘high jingo’ or powers that be, to take a suspected suicide: a well-known council man and former cop’s (and enemy of Bosch and the entire force) son. Did he jump from the seventh floor of the building or was he dropped?

Moving between the two cases, Bosch’s home life with his now fifteen-year-old daughter and the vagaries and questionable loyalties of old and current partners, the story unfolds. It is mesmerizing and unputdownable. Like a fine wine, Bosch just gets better and better. You slip easily (or not – those razor blades glint: reminders of ever-present danger, and catch at times and make you draw in your breath and your heart pound) into his life and mind, enjoying the familiar, aching when he does, vicariously experiencing his reticence, doubt and fearlessness. Intelligent and ethical, Bosch is also a man seized by self-doubt – as a cop, father, lover, and man and this makes him vulnerable and oh so worth getting to know. And, as these two cases draw Bosch and his partner Chu further into their depths and twists, Bosch’s reputation and career are once again on the line.

Loved this latest addition that though I tried to sip and savour it, found myself downing in two reading-session gulps. Cannot wait for the next instalment.

 

Angel Arias: Marianne de Pierres

Dec 03, 2011

This is a more comprehensive version of the review I wrote in Goodreads.

The sequel to Burn Bright, Angel Arias, firmly cements Marianne de Pierres reputation as one of the finest writers of young adult speculative fiction. Continuing where Naif’s adventures ended in the last novel – with her escape from Ixion, Angel Arias is a fast-paced thriller that poses a burning question: what is the relationship between Ixion (the Ripers) and Grave (the Elders)? It’s now up to Naif and her friends to find the answer.

But leaving Ixion has not been easy for Naïf. Not only has she left behind her friend, Suki and her brother, but the Riper, Lenoir, as well. Their blood bond makes the distance between them more than a physical wrench and means that Naif is still connected to the haunting demesne of Ixion and its travails, which makes focussing on her current situation harder than usual. Knowing Ixion is on the cusp of rebellion and that the answer to all the puzzles surrounding the Night Creatures, Ripers, and the disenchanted young refugees who flock to Ixion, lie in her home of Grave, Naïf is unable to remain in limbo on Raskalia’s island sanctuary – especially not when the young people the pirate saved from certain death turn on their saviour and those they believe are plotting against them. And so the scene is set for a breath-taking adventure that sees Naïf putting her life on the line to learn the terrible secret that links Grave and Ixion, her past and her present, her friends and her foe. Finding allies where she least expects it and betrayal where there should be loyalty, Naïf has her courage and wits tested to the limit. But when she learns the truth about the Ripers and the Elders and begins to comprehend the sacrifices that are being made in the name of politics and social experiments, she’s forced to make a terrible and deadly decision.

Breath-taking, with wonderfully drawn scenes and dialogue, Angel Arias is a terrific sequel examining faith, friendship, exploitation and the abuse of hegemony in subtle and thought-provoking ways. Through the character of Naïf, we come to see that this complex world, with its strange creatures, juxtaposition of hedonism and control and dour and passionate humans, is not black and white, but an intricate mix where rights and responsibilities are both personal and highly political: the choice, regardless of age or race, is yours. This tale leaves you wanting more. Bring on the third book! Stat!