There are so many really good books written about the Middle
Ages, both general and specific which, collectively, are fabulous resources for
students of history, writers and those with just a general interest in a long
and fascinating period. This book came with huge and exciting claims by a
well-known writer of fiction, so I was thrilled to get a hold of it and, even
though it is slightly out of the period I am homing in on at the moment (the mid
to late 1300s), I hoped it would provide a solid general overview of the
previous two to three centuries.
In some ways, the book does exactly this. It covers roughly the eleventh through to the end of the thirteenth century and examines topics such as religion, literature, education, music, women and men’s roles, trade etc. However, where some general books also give very specific and detailed examples of the information they are relaying, sadly, this book did not. Or, rather, when it did, it was superficial to the point of not being very helpful. It was also very dry in parts. While I did enjoy some aspects of it, I have found other books on this period (eg. anything by the Guises, Judith Bennett’s works, Paul Strohm, Terry Jones, Alison Weir, Liza Picard, Barbara Hanawalt – just to name a few), to be more in-depth, better written and, frankly, far more useful as both starting points for developing an understanding of this era but also for advancing it. Where it did serve well was as a reminder of the most important and significant aspects of this era.
A huge fan of Gregory’s work, I was so excited to see that
not only had she written a book in the third person, but had moved away from
her wonderful fictive histories of various British royals to focus on an
“ordinary” woman and her family. Only, the beautiful Alinor is anything but
ordinary, as a young priest deposited on the shores of anti-Catholic England in
1648, just when the country is in the midst of Civil War and the King
imprisoned, and who is tasked with an important mission, realises the moment he
Alinor is a wise-woman, a healer who acts as a midwife for
her local community and is entrusted with their health and well-being. The
mother of two children, her bully of a husband is believed lost at sea. Not
quite a widow and not quite married, when she finds the priest, James, and
leads him out of the marshes and to safety, she knows something momentous and
dangerous has been set in motion.
As the weeks go by and rebellion grows even while the tidal
community go on with their daily grind, James and Alinor’s secret bond grows.
But these are hazardous times to be a Catholic, a monarchist but, above all,
it’s a perilous time to be a wise-woman, especially a beautiful one.
This book is a slow burn. Gregory takes great delight in
presenting the reader with the minutiae of Alinor’s life as well as that of
other villagers. I really enjoyed the initial slow-pace, the context against
which the wider political and social turmoil receded into the background. The
writing is mostly lovely and it’s very easy to imagine Alinor and the rest of
those who dwell in the liminal spaces between land and sea. Where I struggled a
bit was with how repetitive some of the dialogue became. Characters kept
repeating themselves, sometimes over and over – to each other and even with
their thoughts. I found this a little distracting and even skimmed a bit when
Overall, this is a good read with an ending that segues
nicely into the next book in what promises to be a series worth following.
Having thoroughly enjoyed White’s debut novel, The Nowhere Child, I couldn’t wait to
read his latest. As usual, life got in the way and it wasn’t until work was put
aside for Christmas that I was able to treat myself to this marvellous and
structurally clever novel and immerse myself in its mystery.
Set on an island off the coast of Victoria Australia, the
action occurs during winter, when most of the tourists have gone and the
residents are left to live their usual lives. When a body is found, not only
does the town begin to whisper and those whose lives are affected by the murder
rush to cover up long-held secrets, but the newly minted widow arrives to pick
up the pieces and discover what led to her husband’s death – a man, it swiftly
becomes apparent, she didn’t really know as well as she thought.
Atmospheric, wonderful, stark and evocative prose, this is a
book that will hold you in thrall as it slowly builds to a conclusion that when
you see it coming will impress you for its craftiness.
Another wonderful read from White – I cannot wait to see
what he produces next.
This is the third book in the Harry Bosch and Renee Ballard
series and, like the other two, it’s a cracker.
Semi-retired, Harry is still keeping his finger in the
investigation pie when his old mentor, John Jack Thompson, dies, leaving him
with a murder book for an unsolved case. Harry calls upon Renee to see if they
can crack the 20-year old death of a young man.
But, the further they delve into the case, the further
aspects of Thompson’s life and character are revealed, aspects that don’t
represent him in such a positive light. Conflicted, but determined to uncover
the reasons the murder book was removed from archives, both Harry and Renee
start to wonder, is it because Thompson wanted the case cracked or was it to
ensure it never got solved?
Once again, Connelly is able to meld the lead characters’
past and present, adding richness and depth to not only Harry and Renee, and
also Harry’s brother, the Lincoln lawyer (who makes an appearance), but the
cases they’re working. The social and cultural scene of LA is fabulously set as
are the changes that twenty years has wrought. The dialogue is smart and real
and what I really love about all Connelly’s books is there is a logic to the
investigation and the steps Harry and Renee take that demonstrates not only
their intelligence, but the barriers they encounter and how they need to be overcome
if possible. Connelly also never steers away from exposing his main protagonists’
weaknesses and flaws as much as their strengths, and we love them all the more
I was shocked to find Harry admits to being almost 70 in the
book. Seventy! While it’s clear Harry is struggling with the notion of
retiring, I think they’ll be a revolt when Connelly eventually allows our
erstwhile hero to surrender his badge (properly). I’ve no doubt when that
happens (and not too soon, I hope!), it will be with a bang and not a whimper.
Another fabulous addition to a taut, gripping and great
Silver, the second novel by Chris
Hammer, commences virtually where his first, Scrublands, finished. Journalist Martin Scarsden is enroute to Port
Silver, the place he grew up and where, with his new partner, Mandalay Blonde
and her baby boy (who have gone ahead) he hopes to start afresh. But fate has
When an old friend is brutally murdered in the hallway of the flat Mandy was
renting on the day Martin arrives in town, he understands that not only are the
ghosts he thought he’d laid to rest when he left Silver all those year ago
still waiting to haunt him, but fresh spectres are set to destroy the plans he
hasn’t even set in motion.
In the initial stages of the murder investigation, Mandy is both key witness
and suspect, so Martin determines to prove her innocence. While Mandy may have
blood on her hands, all is not as it seems – not in Martin’s relationship, his
past and the terrible secrets it holds, nor the town he’s avoided for so long.
When another horrifying event causes a media scrum to descend upon the tiny
town, Martin finds himself not only reporting the story as it unfolds, but becoming,
as is his inadvertent way, very much a part of it. But will he be able to write
the happy ending he so desires?
This was a much denser book than Scrublands.
The plot is thicker and, as a consequence, the exploration of character is as
well. This worked both for and against the novel and sometimes, the story
seemed to tread water as it became burdened with telling – mainly character
backgrounds, as interesting as some were – rather than showing. Still, the
writing is clear, evocative even, and the way Hammer represents the media, the
drive to break the news, even at the expense of those who find themselves
thrust into the spotlight, the ruthless behaviours and strategies deployed, is
excellent. I also like that Scarsden and Mandalay are deeply flawed humans. It
makes them both frustrating and real. I enjoyed this and look forward to seeing
where Hammer takes us and possibly Scarsden next.